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40
Picture s and Picture puer
JANUARY 1924
\
Top Left : Florence Turner and Marie
Doro. Centre: "Sally" {Marie Doro),
and " Traill " (Henry Ainley).
fectly needless precaution, but a one which I am pledged to respect).
Marie Doro is a bit of a sur
Marie
Doro
looks like
the lost
Princess of
he Immortal Hour."
prise to anyone who has only seen her on the screen. For the locks that photograph so densely black are really a very pretty light-brown colour, strongly tinged with red, and the great mystic eyes are brown too. Nor is she so fragile looking as her celluloid self, though she has the remote air of one who has strayed somehow from her natural environment, and her wistful little face assumes the expression of a seeker after something, when in repose.
" I have loved being ' Sally Bishop ' at Stolls " was her parting remark. " And be sure to tell the fans how much I like England." Now it's up to you fans to tell Marie Doro how much England likes her.
Marie Doro and Henry Ainley in the Lyons episode of "Sally Bishop."
Marie Doro in
" Sally Bishop."
Looking exactly like the Lost Princess in the fairy opera, " The Immortal Hour," Marie Doro said so many nice things about British studios, producers, actors and things in general that I felt it my solemn duty to blush on their behalf. And did so.
" Write me down an Anglo-maniac," she said, with that frequent and characteristic little sigh of hers, " And have done with it." She hasn't been in London since the making of Twelve Ten. For Marie is a veritable " Mary Rose " of the movies and thinks nothing of disappearing from filmland's ken for any number of years at a time, returning again as suddenly and as unchanged in appearance as Barrie's heroine did. To all intents and purposes, Marie Doro is exactly the same slip of a girl who charmed us all in " Diplomacy " with Gerald Du Maurier— years ago. (Marie forbids me to mention figures, a per