Pictures and the Picturegoer (Jan-Dec 1924)

80 Pictures and Pichurepuer \#^ft Id I '■**' ml \A ml ft f\ * l ... >* Picture *goer * * : POStCCLrdS OF FILM FAVOURITES Sepia, glossy finish — real photos. MANY NEW ADDITIONS Make your selection from list below. 3d. each. -2/6 doz. Art Acord Elmo Lincoln Agi.es Ayres (2) Harold Lloyd Betty Balfour Bert Lytell Nigel Barrie (2) Louise Lovely Wesley Barry May McAvoy John Barrymore Katherine Mac Richard Donald (2) Barthelmess (2) Malcolm McGregor Warner Baxter Dorothy MacKail Hilda Bayley Barbara La Marr (2) Waiiace Beery Mae Marsh Madge Bellamy Shirley Mason Edna Best Frank Mayo Betty Blythe Thomas Meighan Eleanor Boardman Adolphe Menjou John Bowers Patsy Ruth Miller Flora le Breton Tom Mix Clive Brook (2) Tom Moore Mae Busch Antonio Moreno Lon Chaney Marguerite De La Ethel Clayton Motte Lew Cody Jack Mulhall Betty Compson (2) Mae Murray Fay Compton Carmel Myers Jackie Coogan Conrad Nagel (2) Dorothy Dalton Nita Naldi Viola Dana Owen Nares Bebe Daniels Pola Negri (2) Marion Davies Anna Q. Nilsson Milderd Davis Ramon Novarro (3) Marjorie Daw Ivor Novello (3) Priscilla Dean Eugene O'Brien Reginald Denny Mary Odette William Desmond Pat O'Malley Richard Dix Eileen Percy Ivy Duke (2) House Peters (2) William Duncan Mary Philbin Josephine Earle Eddie Polo Douglas Fairbanks Marie Prevost Dustin Farnum Edna Purviance Elsie Ferguson Jobyna Ralston Hoot Gibson Herbert Rawlinson John Gilbert Irene Rich Dorothy Gish George Robey Lillian Gish Charles de Roche Corinne Griffith (2) Rod la Rocque Mahlon Hamilton Ruth Roland Elaine Hammerstein William Russell Hope Hampton Joseph Schildkraut Kenneth Harlan Anita Stewart Wanda Hawley Madge Stuart Jack Holt Gloria Swanson Jack Hoxie Blanche Swe t Lloyd Hughes Constance Talmadge Marjorie Hume Norm? Talmadge (3) Charles Hutchison Richard Talmadge Rex Ingram Conway Tearle Edith Johnson Alice Terry (4) Justine Johnstone Phyllis Neilson Terry Buck Jones Queenie Thomas Leatrice Joy (2) Ernest Torrence Alice Joyce Rudolph Valentino Buster Keaton (6) J. Warren Kerrigan Norman Kerry Florence Vidor George Walsh James Kirkwood Bryant Washburn Alice Lake Niles Welch Cullen Landis Earle Williams Matheson Lang (2) Lois Wilson Li la Lee Claire Windsor Figures after names denote t le number of different poses. THE PICTURE GOER SALON, 88, Long Acre, London, W.C.r The delightful star of natural authority upon Have you ever carefully analysed the women who are known as "beautiful"? If you have, you must have found, somewhat to your own surprise, that mere perfection of feature is only one of the things that go to make up the perfect whole. For some beautiful women are so colourless in personality that their beauty is completely submerged. Others again have little beauty of feature to recommend them, but so much magnetism, such grace of manner and movement, such delightful voices, and such truly charming ways that they instinctively leap to one's mind when one thinks of beautiful women. It seems to me that charm without beauty is infinitely to be preferred to beauty without charm. Magnetism and personality are the things to cultivate. Cultivate a pretty manner, a lowpitched voice and you will find people listen to you with interest. Above all don't ever let a whine creep into your voice. There is nothing more hateful. Cpeak slowly, too. That is something **^ we stage people learn early in life. It takes more effort to talk in low, pleasing tones than in shrill, careless ones, I know, but it is worth it. There is such a thing as a well poised voice, and poise, you know, is a most important thing. Cultivate an air of assurance whether you feel sure of yourself or whether you do not. " Toni " is a this subject. ferent perfume gown. DECEMBER 1924 Laughter, too, should be considered. A frankly artificial laugh isn't pretty, but a shrill, coarse laught is in finitely ugly. VY/e are apt, I think, in these days of jazz to be a little highpitched, a little shrill in everything we do. Even our emotions are sometimes pitched a tone or so too high. We are apt to get hysterical and over-excited and then goodby charm. "VY/atch yourself carefully. Watch for and weed out any unpleasing mannerism. Guard against too much repetition of your favourite phrase. Cultivate little subtleties and make them particularly your own. Choose a scent that fits your personality and stick to it. Don't have a diffor every different L?rom the times of Helen of * Troy and Cleopatra down through the ages girls and women have always had their cherished beauty secrets and recipes and Miss Twentieth Century has the benefit of them all. But charm, that subtly magnetic thing that attracts any and everybody to you whether they will or no is worth all the beauty secrets ever invented. It is only a little word but it means perpetual youth, for a woman is only young so long as she is admired and everybody admires charm. Choose a scent that fits your personality and when vou've chosen it stick to it.