Pictures and the Picturegoer (Jan-Dec 1925)

16 Picture s and Picture $ver by what narrow chance she had been saved from disappointing it. She had missed the train, but had at once leaped into her high-powered roadster and made the journey at an average of sixty-five miles an hour, braving death a dozen times. For her public was dear to her, and she would not have it disappointed, and there she was before them in her trim driving suit, still breathless from the wild ride. Then she told them — Merton especially — how her directors had again and again besought her not to persist in risking her life in her dangerous exploits, but to allow a double to take her place at the more critical moments. But she had never been able to bring henself to this deception, for deception, in a way, it would be. The directors had entreated in vain. She would keep faith with her public, though full well she knew that at any time one of her dare-devil acts might prove fatal. Her public was very dear to her. She was delighted to meet it here, face to face, heart to heart. She clasped her own slender hands over her own heart as she said this, and there was a pathetic little catch in her voice as she waved farewell kisses to the throng. Many a heart besides Merton's beat more quickly at knowing that she must rush out to the high-powered roadster and be off at eighty miles an hour to St. Louis, where another vast audience would the next day be breathlessly awaiting her personal appearance. Merton had felt abundantly repaid for his journey. There had been inspiration in this contact. Little he minded the acid greeting, on his return, of a mere Gashwiler, spawning in his low mind a monstrous suspicion that the dying aunt had never lived. Now he read in his magazines other intimate interviews by other talented young women who had braved the presence of other screen idols of both sexes. The interviewers approached them with trepidation, and invariably found that success had not spoiled them. Fine artists though they were, applauded and richly rewarded, yet they remained simple, unaffected, and cordial to these daring reporters. They spoke with quiet dignity of their work, their earnest efforts to give the public something better and finer. They wished the countless readers of the int rviews to comprehend that their triumphs had come only with infinite work and struggle, that the beautiful comes only through suffering and sacrifice. At lighter moments they s*poke gaily of their palatial homes, their domestic pets, their wives or husbands and their charming children. They all loved the great out of doors, but their chief solace from toil was in this unruffled domesticity where they could forget the worries of an exacting profession and lead a simple home life. All the husbands and wives were more than that — they were good pals; and of course they read and studied a great deal. Many of them were wild about books. He was especially interested in the interview printed by Camera with that world favourite, Harold Parmalee. For this was the screen artist whom Merton most envied, and whom he cqnceived himself most to resemble in feature. The lady interviewer, Miss Augusta Blivens, had gone trembling into the presence of Harold Parmalee, to be instantly put at her ease by the young artist's simple, unaffected manner. He chatted of his early struggles when he was only too glad to accept the few paltry hundreds of dollars a week that were offered him in minor parts ; of his quick rise to eminence; of his unceasing effort to give the public something better and finer; of his love for the great out of doors; and of his daily flight to the little nest that sheltered his pal wife and the kiddies. Here he could be truly himself, a man's man, loving the simple things of life. Here, in his library, surrounded by his books, or in the music room plaving over some little Chopin prelude, or on the lawn romping with the giant police dog, he could forget the public that would not let him rest. Nor had he been spoiled in the least, said the interviewer, by the adulation poured out upon him by admiring women and girls in volume sufficient to turn the head of a less sane young man. " There are many beautiful women in the world,'" pursued the writer, " and I dare say there is not one who meets Harold Parmalee who does not love him in one way or another. He has mental brilliancy for the intellectuals, good looks for the empty-headed, a strong vital appeal, a magnetism almost overwhelming to the susceptible, and an easy and supremely appealing courtesy for every woman he encounters." Merton drew a long breath after reading these earnest words. Would an interviewer some day be writing as much about him? He studied the pictures of Harold Parmalee that abundantly spotted the article. The full face, the profile, the symmetrical shoulders, the jaunty bearing, the easy, masterful smile. From each of these he would raise his eyes to his own pictured face on the wall above him. Undoubtedly he was not unlike Harold Parmalee. He had the nose, perhaps a bit more jutting than Harold's, and the chin, even more prominent. Possibly a director would have told him that his Harold Parmalee beauty was just a trifle overdone; that his face was just a bit past the line of pleasing resemblance and into something else. Rut at this moment the aspirant was reassured. His eyes were pale, under pale brows, yet they showed well in the prints. And he was slightly built, pOrhaps even thin, but a diet rich in fats would remedy that. And, even if he were quite a little less comelv than Parmalee, be would still be impressive. After all, a great deal depended upon the acting, and he was learning to act. Months ago, the resolution big in his heart, he had answered the advertisement in Silver Screenings, urging him to "Learn Movie Acting, a fascinating profession that pays big. Would you like to know," it demanded, " if you are adapted to this work? If so, send ten cents for our Ten-Hour Talent-Prover, or Key to Movie-Acting Aptitude, and find whether you are suited to take it up." Merton had earnestly wished to know this, and had sent ten cents to the Film Incorporation Bureau, Station N, Stebbinsville, Arkansas. The Talent-Prover, MARCH 1925 or Key to Movie-Acting Aptitude, had come ; he had mailed his answers to the questions and waited an anguished ten days, fearing that he would prove to lack the required aptitude for this great art But at last the cheering news had conie. He had every aptitude in full measure, and all that remained was to subscribe to the correspondence course. He had felt weak in the moment of his relief from this torturing anxiety. Suppose they had told him that he wouldn't do? And he had studied the lessons with unswerving determination. Xigh» and day he had held to his ideal. He knew that when you did this your hour was bound to come. He yawned now, thinking, instead of the anger expressions he should have been practising, of the sordid things he must do to-morrow. He must be up at five, sprinkle the floor, sweep it, take down the dust curtains from the shelves of dry goods, clean and fill the lamps, then station outside the dummies in their raiment. All day he would serve customers, snatching a hasty lunch of crackers and cheese behind the grocery counter. And at night, instead of twice ,