Pictures and the Picturegoer (October 1915 - March 1916)

\Vj:kk i sniNO Nov. 27, 1915 in a peal fri( ht. When peonl him running alone, batless una npp»rent ly in full wedding attire, and with a' disconsolate mduig on the church Bteps, they entered into nit of tli.' thing, and gave bun Beveral ironic cheers. Did you Bee the rraph of this Bcene in last week's .Mr Walthall was really frightfully embarrassed, ami I teased him ih.' affair for daya afterwards; But all this i-, by the \\a\. ami L must return to my trumpet-blowing. v break! oarallj glance over my parts for the day. ami at nine o'clock I am iii the Btudiqs, Prom nine until live 1 am engaged in rehearsing or making scenes, and I reliove fchisoften exacting business with my favourite hobby— sculpturing. A Fearful confession. Ami now I'm going to make a fearonfession I'm horribly afraid of camera. I'm temperamental wretchedly so. If 1 Btopped to think ! was playing forapicture which perhaps thousands of people will -• . 1 should stop short altogether. Everybody 1 know says I am whimsical and self-centred. Hut I have to 1..'. I enn remember when 1 used to go to tin1 Metropi litan Museum with a crowd of 0 make sketches, 1 nearly always returned with a blank sketching block, I couldn't copy, 1 wanted to create for myself. 1 have high ideals and endeavour to attain them. When I am playing a part like that of Patricia Sutherland in The Lady .</ I am carried by my own acting. 1 sink right into the part. There is a conflagration in my brain, and a trembling in my that awes mo. It's the grip of r to feel that gets such a hold of me I'm sure. And now. thank goodness ! I've finished, and if 1 have bored you. well— as J said at the beginning of this article— you must blame the i.ditor, not THE FACE IN THE MIRROR. [Continued from previous pnge.) The cablegram was read again, and all became as clear as daylight to the doctor. His wife had no lover, but a thief, an impostor, had tried to gain pos<>i of her necklet. Richard was handcuffed and led away, and as the door shut behind the criminal the d< ded his wife tenderly in his arms. "Darling, in my heart of hearts I knew you could not be unfaithful t" me." he murmured. And Alice, happy in the knowledge of her husband's understanding, regretted not the test of his truetfulm ss. \ usatiohal plot well carried out. ire elaborate and appropriate, ami the acting is well up to the fine standard of ;ill Selig dramas. Lamar Johnstone plays the part of the Phyllis Daniels his wife. rSt.dla Razeto Blrs. Dundore, and Joe King her husband. Released December 9th. 179 PICTURES AND THE PICTUKP.GOER ■ga=i |#X»1 c=®=i !•*• ' [®] [l^i^]»|»| rr=3Sr=3 ]•!•! t=<£ri •• © 0 ® 8 •• UE3 Jm Wj^m^*" mv EDNA MAYO IN "STARS THEIR COURSES CHANGE" A STRONG, emotional Three-Act Love Story concerning a wager made by a beautiful girl that she can compel the author of a successful novel to fall in love with her within three v. eeks. As time goes on she finds she really loves the author, and as he is now indifferent she announces her engagement with another man to spite him. The disconsolate author returns to his cabin in the woods to try to forget, but the girl sets out to find him. Half-frozen, she is brought to the cabindoor by a priest, who arrives just in time to save her second suitor from shooting his rival. FRANCIS BUSHMAN, EDNA MAYO, BRYANT WASHBURN :: make up a strong and very able cast. :: If you do not see this film announced at your local cinema tell the manager you want to see it and that "F./s/s/a/waAA stands for EXCELLENCE & ENJOYMENT •• '■) •• •z« C®3| [©] J C®3 |»g»[E=©