Pictures and the Picturegoer (October 1915 - March 1916)

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L -" II I. u PICTURES AND THE PJCTL'PECOER er) worth Vtx'P-q Have you sometimes asked yourself about the beautiful places and grand houses as well as the places that suit slum pictures like "The Sweater" that you see in the Hepworth Picture Plavs? We know sonic people do, because they've written and told us so. Jou must remember, this — we don't want you to think about the we show. We only have them because they're in the story. scenes weren't there vou would think we were all crazy, and the instead of seeming real and true and vivid as most Hepworth do now, would seem bare and unreal # How we choose them. We imply take the scenes that we think fit the story perfectly. If they didn't fit, you'd notice it. If they do fit, you notice the story and that's what we want. Where are they ? Near Walton, where the Hepworth studios arc, there is a marvellous variety of settings — towns, villages, river, locks, roads, mansions, hovels, meadows, forests, rockyhills and many more — all of the finest English beauty. Going hundreds of miles. But if wc feel that a certain scene is necessary to the spirit. of a story, we get it. We haven't -pared trouble or expense in getting the right scene yet. And we're not going to. Devon, Wales and Scotland are visited by our players many times. But scenes. If the story, stories Wf {* **^% ; MgMMMMMMMMMg 1 iillllllllllllllllltlllilllll' : /3 'III IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII !lllllllllllill!llllllllllllllllllllllllllllllllll!!!l!IIIIIIIIIIIIIH! !llll!lllllllllllllllli:illHIIIIIIIII!lll!ll!llllllllllllll IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIKI