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JUNE 1922
THE PICTURE-GOER
21
^"^a*
picture is not unusual for Gloria Swanson. And because her costumes are of such distinctiveness, they cannot be worn in more than one picture. They are not wasted, however, for a clever designing department picks them to pieces, and later the costly materials form the basis for other startling creations.
Dorothy Devote' s
wardrobe includes hats of
every period. From left : 1875,
1882, 1900, 1910 and IQ22.
that lover of realism, Cecil De Mille, in gorgeous dress creations that represent many thousands of pounds. Gloria is often the rich and extravagant woman on the screen. She wears a twothousand-pound ermine coat in one of her latest pictures. A filmy lace gown that added fifty pounds to the wardrobe account was irretrievably ruined by this luxurious star in the wreck scene in The Admirable Crichton. Recently she wore an eight-hundredguinea black-and-white cape composed of African monkey fur for less than four minutes before the cameras. Her sartorial glories necessitate almost daily visits to costumiers. The wearing of thirty different dresses in one
JK
Nazitoo,
Alice Terry
as " Princess Flavia," in
"The
Prisoner of
Zenda."
It is mova, who literally can claim to have worn a screen cost u m e in keeping with every one of her ' thousand moods." She had to order fifteen cloaks in order to secure one garment of original and Corinne costly design. Griffith
This was an opera cloak of designs many black-and-silver cloth studded of her
with heavy silver camelias. The gowns.
material had to be especially woven, and being unable to purchase the quantity required for one cloak, the looms in Paris would only consent to weave the cloth on the understanding that an order sufficient to make fifteen cloaks was ordered.
Golden haired, grey eyed Corinne Griffith designs most of her own screen gowns. Her dress creations have set the vogue for many thousands of
Clara Kimball Young's wardrobe is worth a king's ransom.