Picture-Play Magazine (1932)

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The Federal Course contains lessons by leading artists, gives you personal criticisms, and leads rapidly to practical work. B? all means get this free test — send now for your Questionnaire. State age and occupation. Federal School of Commercial Designing 405 B Federal Schools Bldg. Minneapolis, Mion. The Screen in Review Continued from page 48 George E. Stone and Leila Bennett are good. So, too, is Guy Kibbee, as usual, and there are Dorothy Burgess, Ray Cooke, Nat Pendleton, and Polly Walters all in the right moodto match Mr. Cagney's sharply pointed acting. "This Reckless Age." Here the younger generation is pictured from a rather different angle. Instead of being mercilessly portrayed, the young people are permitted to speak for themselves and in The final count they are shown to be as wholesome and decent as one could wish, their peccadillos being only a surface manifestation of high spirits. . In fact the wild young son extri cates his father from a serious difficulty and insures the happiness of his mother. Though weak dramatically, the picture is strong in characterization and the roles are excellently played by a brilliant cast headed by Richard Bennett and Frances Starr, as the parents. Buddy Rogers, Frances Dee, and Peggy Shannon are the youthful principals who maintain engaging prankishness until confronted by serious issues. All acquit themselves well, Mr. Rogers in particular coming through with a real characterization. Such interesting players as Charles Ruggles, Maude Eburne, and David Landau have other roles in this light, though ingratiating, picture of typical American youth. "The Woman from Monte Carlo." An unhappy debut must unfortunately be recorded for Lil Dagover, star of Continental films. She is handicapped by a warmed-over version of "The Night Watch," which served Billie Dove a few seasons ago. You may remember the story of the wife of a French naval officer who appeared at his court-martial ancl admitted that she ha'd spent the night in the cabin of his lieutenant, thus ■ ■ n ™~\~ 9 ~ ' 1 * | absolving her husband of negligence while on duty at the sacrifice of her reputation. An involved and unsympathetic story at best, it gains nothing from dialogue, nor do the performances throw new light on the stagy, foreign characters and their futile intrigue. Yet Miss Dagover is superior to her surroundings. She is interesting, if not cut to the pattern of her sisters from overseas who have captured the American public in a big way. She is an aristocratic beauty rather than a wayward neurotic, she is mentally more than fleshily luring and is, in short, an elegant mondaine instead of a sexy siren. She is entirely too cool to be incendiary. Of the company, Warren William is best as the lieutenant. He is sincere, intelligent. But such fine actors as Walter Huston and John Wray are wasted, if not altogether lost. "Delicious." They tell me that Charles Farrell and Janet Gaynor are successful in any picture. I believe it is so. Whenever I see them the theater is crowded with larger audiences than attend more adult films. So there must be something to the legend that the