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Hollywood High Lights
Continued from page 39
hundred during the progress of the event, and Vic topped everything by offering the diners pheasants which he raised and shot himself.
Helen Hayes, Gate-crasher. — Helen Hayes and Charlie MacArthur — wife and hubby — have introduced a new form of gate-crashing. When the mood strikes them, they decide they'll go to a party. They pick out Mime house in Beverly, whose occupant they don't know, go up and ring the doorbell, and make themselves at home. They have completely flabbergasted several hosts and hostesses, and have had a lot of good clean fun.
You'd never believe Miss Hayes to be that much of a cut-up, but she is.
Chaplin Romance Abates. — The
Charlie Chaplin-Paulette Goddard romance is reported to have cooled. Dope is that Charlie didn't like all the publicity it was attracting. Still Charlie did administer a farewell kiss to Paulette at the airport when she flew East — we saw him ! — and you can't expect a sight like that to pass unnoticed when there are a score or so of onlookers.
Charlie seems to have resumed his artful-dodger tactics, though, with the press. He took his two youngsters to the Brown Derby one day, and all the photographers in town immediately made a raid on the place. But Charlie and the youngsters refused to pose for the cameras while they were at luncheon, and then made a wild rush from the restaurant to avoid the cameras when the meal was finished.
Al's Golden Dollars. — Having cleaned up several hundred thousand dollars with his latest venture into picture-making, Al Jolson now puts about $200,000 more in his pocket as a result of twenty-six radio broadcasts. Can't say that "singin' fool" doesn't make money — and Ruby ECeeler working, too. Jolson gets $7,500 for each broadcast.
Jolson's picture. "Happy Go Lucky." needed much revising after the firsl preview.
Neil's Industrious Pater. — Neil Hamilton isn't the only talented member of his family. Neil's father has greal virtuosity as a dove fancier. He raises the birds not only for market, but for prize-winning. And two of them won honors recently at a county fair. Maybe now they'll go in the movies, since prize animals, like the hog in "State Fair," are in demand.
Alice White's Comeback. — After two years in vaudeville Alice White really is coming back to films. An ironic twist comes from the fact that she is hired by Warners, who removed her name from her last starring picture for them. The film offered the unusual spectacle of presenting a star who wasn't mentioned in the cast. But Hollywood is good at letting bygones be bygones, so Alice is set for a good role in "Employees' Entrance," along with Warren William and Loretta Young.
BowWhite Parallel. — "Whither thou goest, there go I" — this ought to be the sweet, sly slogan of Alice White's life. For no more does Clara Bow embark on her first picture for Fox than Alice signs up with Warner's to resume her career. They both lost out about the same time. Which makes the parallel in their experiences almost exact.
Argument Waxes Warm. — The Dietrich-Yon Sternberg contract threatens to turn into a tussle to see whether enchantress Marlene will work with other directors than her discoverer. The matter will be settled in December. Yon Sternberg, of course, prefers that Marlene appear only in pictures made by him, and Marlene is of the same opinion. But the studio wants a different arrangement. They'll all probably be going round and round as the date of signing approaches.
Constance Battles Ann. — Another minor war has been fought out over who should do "The Sun Also Rises," by Ernest Hemingway, at RKO studio. Both Ann Harding and Constance Bennett would like to, and are they strong-minded ladies when it comes to such things? Oh, no, not a-tall !
Aline MacMahon Unconventional.— Besides giving uncommon performances in "Once in a Lifetime." "Life Begins," and other pictures, Aline MacMahon voices unusual opinions. Although she has spent all her professional life on the stage and has been in pictures onlv a year, she comes right out and says she isn't sentimental about the stage and doesn't miss the theater, or even the audience. "Not," she adds, "with forty electricians on every set — and visitors." To our knowledge she is the first stage player who has admitted this unusual, though unimportant fact.