Picture-Play Magazine (1933)

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Relieves ;nii,, stubborn, unusual periodic delays in 2 to 5 days without pain or inconvenience. Mrs. G., Pa., says: "I got results. Rest I ever Used." Mrs. P.. Miss.: "Cannot give it praise due it. Am re I in ' my friends." Every married woman in nee i should send today for this amazing doctor's remedy. lull Hlreiik-tr, $2: 2 boxes $3.Su. Special triple strength Regulator for very obstinate rases, Jo, ROGERS REMEDIES A-23 6052 HARPER, CHICAGO No Joke To be deaf — Every Deal Person Knows That orjro P. Way l In afl, nh Artificial Ear Drums--hi9 25 ycL. -tion. H .. stopped g ears They are invisible and perfe, -il; comfortable. No one Bees them. Writ. for his true stor ••How I Got Deaf and Ma. Myself Hear". Also bookl.. oo Deafness. Address Artificial Ear Drum GEORGE P. WAY, INC. 712 Hofmann Building Detroit, Mlchlgar m» §AY GOODBYE TO UNWANTED BLEMISHES ^£, i~j~ -^^ ^ y 'fi*^,^ \i^y ^Yi e w. Sai c , Su r« In ctli o d preparation work, ivondcm head*, frecklee, ■„-, lino, -I- froy voiir l,i\ >l X and let v. -or , n i,,-l,i.-,„-l v, -nil lliilil- say worn I.I-,,, I . Instantly effective. T)o pimple redneM, muddinesi ">r otln-r ", ' 'i i i> '«- in -.i i ' tell the , i, ,n HI.-, . ,--, skin is re-createdin th. , Ian! onp.-iinl water. •■ Uiil„-li,-, nl.l.-' , black ."i"-".','i,. oil unreeii HKMEDF X , *2 Jar NOW only 96c Act Promptly The Screen in Review Continued from page 67 be herself, with smoking, drinking and men to help. To quiet her and still preserve the illusion of girlish innocence, her manager decides to stage a fictitious romance. A letter from a fan is chosen at random and the writer happens to be a youth from the Kentucky mountains. He is brought to New York and publicized as the sweetheart of The Purity Girl's dreams. Of course a real romance develops between the young people. This is enough to give you an inkling of the story, but not too much to spoil your enjoyment of the complications that develop when the girl and boy elope. It is all good fun edged with satire. The acting is capital, Norman Foster turning in an admirable job as the yokel whose shrewdness upsets the plans of his supposed superiors. Gregory Ratoff is especially fine as the broken-accented boss of IppsieWippsie. "Private Detective 62." William Powell, Margaret Lindsay, Arthur Hold, Gordon Westcott, James Bell, Ruth Donnelly. The fine talents of William Powell are virtually wasted on an indecisive picture which, though superficially amusing at times, is lightwaisted at best. And Mr. Powell acts his role as if he were fully aware of his picture's shortcomings. That brilliant authority revealed in many past performances is eclipsed, but you or 1-i.y I ,.lt 0 ilelivery 9Gc plus Hall to dsy a few rcnl foi Pa i .,-. I, u .: A .--, h onlj KEMEDEX LABORATORIES. 395 Broadway, Dcpl. L28, New York, N.V. feel the obscuration is but momentary and Mr. Powell will be himself again — when the producers will it so. The story hardly matters. Its implausibilities would be as apparent in a synopsis as they are on the screen. Enough to say that Mr. Powell, ousted from the Secret Service, becomes an operative in the private detective racket and is assigned to frame a girl with whom, of course, he falls in love. Margaret Lindsay is the girl and gives a good account of herself. Her story on page 22 is perhaps more interesting than her part in this picture. "Bed of Roses." Constance Bennett, Joel McCrea, John Halliday, Pert Kelton, Samuel Hinds, Franklin Pangborn. The popular guttersnipe heroine receives further glorification from Constance Bennett and her clever cohorts, writers, director, and actors. who leave nothing to the imagination except belief in her goodness. It comes too late, however, to be convincing, although the formula nowadays would have us believe that a leading character can descend to any graphic degradation and be accepted as a full-fledged heroine provided she makes a sacrificial gesture. Then she is purified for a happy ending and a good man's love. Here Miss Bennett's heroine vacates a luxurious apartment and refuses a diamond bracelet to prove her worthiness of a barge captain and her willingness to scrub decks. It doesn't ring true to any one who knows the type, but the fable does make a lively, humorous picture in a sordid scene. To recite all the misdemeanors of the heroine before her pseudo-reformation would require more space than a review of such a film is worth. Enough to say that her story begin-with her liberation from a reformatory in company with her friend Minnie and their determination to make their way by gypping men. a feat in which they are both highly successful. A high light of the picture is the performance of Pert Kelton, who comes to the screen from musical comedy and gives a rousing imitation of Mae West. So effective is Miss Kelton that she all but dominates the picture. Joel McCrea is the barge captain at whose money Miss Bennett looks covetously before she marries him, and John Halliday is the provider of her bed of roses. "Samarang." Ahmang, Sai-Yu, Ko-Hai, Mamounah, Chang-Fu. Malay pearl divers reappear in this without, however, telling us anything new about the hazards of their work or throwing new light on native scenes and habits. The scenic beauties of the film are conspicuous, though, and a fight between an octopus and a shark is unusual while