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Why Little Mary Isn't Jealous 231
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Owen admits that he was a little bit afraid of the leading ladies of the stage being a little "upstage" when working with a mere film leading man, but this scene indicates that he had little trouble while playing with Fritzi Scheff.
larity with the Famous Players Company. This concern later decided to secure Mr. Moore also, and, after completing his engagement with Griffith, he joined it and appeared as Virginia Pearson's costar in "The Aftermath."
Again Owen became the lover of "Little Mary" on the screen in Famous Players' "Caprice," "Cinderella," and "Mistress Nell." Perhaps those who saw these pictures, and who had seen j'|ers in which Moore played the part i lover, noticed a difference in his performance — and there is no reason why they should not have.
Later he left Famous, this time to accept an alluring offer from the Oliver Morosco Photoplay Company. Again Mary saw him on the screen, making love to other leading ladies, and again she wrote him letters in which no sign of jealousy appeared. With Morosco, he played opposite Fritzi Scheff, in "Pretty Mrs. Smith," with Lois Meredith in "Help Wanted," and with Elsie
Janis in her picture series that included " 'Twas Ever Thus," "Nearly a Lady," and "Betty in Search of a Thrill."
Mabel Normand, perhaps better known as "Keystone Mabel," was his next leading lady, and "The School Teacher" was their first Keystone comedy.
When Griffith joined the Triangle, he, for the third time, reengaged Moore, and since joining the master producer, he has costarred with talented Dorothy Gish, in three feature productions, "Jordan Is a Hard Road." "Betty of Greystone," and "Katv Bauer."
There you have the list of Owen Moore's leading ladies. It includes some of the most beautiful and appealing screen stars, but still — I have said it before, but I want to be sure to impress it on you — Mary Pickford isn't a bit jealous.
But there's a reason why she shouldn't be, and it is contained in