Picture Play Magazine (Mar-Aug 1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THERE'S no longer any "A" in Essanay — S and A — because "Broncho Billy" Anderson, one of the founders of the famous Chicago film organization has disposed of his stock in the corporation to his partner, George K. Spoor, the S of Essanay, and retired from active participation in the filming of that company's productions. Just what Mr. Anderson's plans are for the future is a question, since he has declined to make any statement of what he will do next. Remember that big railroad-wreck scene in Lubin's five-reeler, "The Gods of Fate," released through V. L. S. E. ? It is said to have been the most expensive single scene ever screened by a mo tion-picture company, and it certainly looks the part. Two trains, one a passenger, consisting of an engine and three coaches, and the other a freight train made up of an engine and six cars, met in a head-on collision, and it surely cost money to produce. Director Stuart Paton, who is making the first of the Florence Lawrence pictures, is just back from Washington, District of Columbia, where many of the scenes of "The Elusive Isabel," the first Universal-Lawrence production, were snapped. Mary Pickford has added still newer laurels to her career by appearing in a seven-reel subject, entitled The most expensive single scene ever screened.