Picture-Play Magazine (Sep 1917 - Feb 1918)

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The Melodrama of Shadows 185 Above, Forbes-Robertson , about to make his screen debut, learning details of film drama from Mr. Brenon, his producer. Below, Herbert Brenon and Forbes-Robertson discussing the scenario of the eminent actor's first picture. can make visible the marching of Macd uff's army and the coming of Birnan Wood, but he cannot dis close the conflict of soul of Macbeth; he ^VHil cannot make us shudder at the slow and steady disintegration of a noble character under the stress of recurring temptation.' "Mr. Matthews forgets — or does not realize the value of — the close-up, the flash-back, and the vision. These can tell the actual workings of the human mind as no living actor, going through a situation some hundred feet from an auditor, can ever doit. Again, the speak iggerate his facial and bodily pantomime in order to put a thought over. The screen player can be human. The slightest expression is caught by the camera. ''Early photo plays were action pictures, as Yachel Lindsay truthfully calls them. The people were but types, 'swiftly moving chessmen.' "Neither lust, love, hate, nor hunger' were in