Picture-Play Magazine (Sep 1919 - Feb 1920)

Picture-Play Magazine — Advertising Section 95 this director does." And she went on talking about it all the time we were dressing. She and I each got three dollars and a half for that day's work; the people who'd been sent by an agent would get paid by him, so that he could deduct his commission. I went out on location a few days after that; they were going to take a big scene calling for several hundred people, Mr. Rowe's stenographer said, when she phoned, and I was to be part of a mob — a real mob that wrecked a store and chased a man out of the little town they'd built for the set. This time J Yvrore a dress out of the company wardrobe, a thin, slazy cotton dress, it was, and I had a brilliant yellow shawl, too — I felt exactly like a real actress. It was rather a cold day, and between waiting for the sun to shine and for the carpenters to' do something that everybody thought had been done the day before, we spent hours just sitting around. At noon we stood in line — such a long line ! — for the little box lunches that had been provided for us. The lunches were really very good, but I don't believe I'd have cared if they hadn't been, for I was actually in the movies ; I'd walked down the street right toward the camera, with nobody between me and it, I heard somebody say that that pretty little dark-haired girl — meaning me — was pretty good, and I'd learned how to put my make-up on all by myself ; that was enough. My next job was an awfully interesting one; I was maid of honor at a screen wedding, and wore a dress that was specially designed by one of the big modistes. But imagine my disappointment when I saw that picture and realized that in the scene at the altar the actor who played the best man had held his silk hat so that my face didn't show ! However, I got ten dollars for that day's work. Of course I hoped Mr. Rowe would send for me again, soon ; the little taste I'd had of picture-making made me more eager than ever to do more of it, but finally, after a week had gone by and I hadn't heard from him, I decided to go to the agent to whom Ted's father had given me a letter; now that I'd had experience, perhaps he could get me a small part. To be Concluded. Millions or People Can Write Stories and Photoplays and Dorit Know It/ THIS is the startling assertion recently made by E. B. Davison of New York, one of the highest paid writers in the world. Is his astonishing statement true? Can it be possible there are countless thousands of people yearning to write, who really can and simply haven't found it out? Well, come to think of it, most anybody can tell a story. Why can't most anybody write a story? Why is writing supposed to be a rare gift that few possess? Isn't this only another of the Mistaken Ideas the past has handed down to us? Yesterday nobody dreamed man could fly. To-day he dives like a swallow ten thousand feet above the earth and laughs down at the tiny mortal atoms of his fellow-men below ! So Yesterday's "impossibility" is a reality to-day. "The time will come," writes the same authority, "when millions of people will be writers — there will be countless thousands of playwrights, novelists, scenario, magazine and 'newspaper writers — they are coming, coming — a whole new world of them?" And do you know what these writers-to-be are doing now? Why, they are the men — armies of them — young and old, now doing mere clerical work, in offices, keeping books, selling merchandise, or even driving trucks, running elevators, street cars, waiting on tables, working at barber chairs, following the plow, or teaching schools in the rural districts.; and women, young and old, by scores, now pounding typewriters, or standing behind counters, or running spindles in factories, bending over sewing machines, or doing housework. Yes — you may laugh — but these are The Writers of To-morrow. For writing isn't oniy for geniuses as most people think. Don't you believe the Creator gave you a storywriting faculty just as He did the greatest writer? Only maybe you are simply "bluffed" by tbe thought that you "haven't the gift." Many people are simply afraid to try. Or if they do try. and their first efforts don't satisfy, they simply give up in despair, and that ends it. They're through. They never try again. Yet "if, by some lucky chance they had first learned the simple rules of writing, and then given the Imagination free rein, they might have astonished the world! But two things are essential in order to become a writer. First, to learn the ordinary principles of writing. Second, to learn to exercise your faculty of Thinking. By exercising a thing you develop it. Your Imagination is something like your right arm. The more you use it the stronger it gets. The principles of writing are no more complex than the principles of spelling, arithmetic, or any other simple thing that anybody knows. Writers learn to piece together a story as easily as a child sets up a miniature house with his toy blocks. It is amazingly easy after the mind grasps the simple "know how;" A little study, a litle patience, a little confidence, and the thing that looks hard turns out to be lust as easy as it seemed difficult. LETTERS LIKE THIS ARE POURING IN! "Of all the compositions I have read on this subject, I find yours the most helpful to aspiring authors."— Hazel Simpson Navlor. Literary Editor Motion Picture Magazine. "With this volume before him, the veriest novice should be able to build stories or photoplays that will find a ready market. The best treatise of its kind I have encountered in 24 years of newspaper and literary work."— H. Pierce Waller, Managing Editor The Binghamton Press. "Mr. Irving certainly has made story and play writing amazingly simple and easy, just as you say. I have sold three stories and one play — which have netted me exactly $825.00."— Alfred Horto, Niagara Falls, N. Y. ' ' Wh "n I first saw your ad I was working in a shop for $30aweek. Always having worked with my hands, I doubted my ability to make money with my brain. S<"> it was with much skepticism that I sent for your Easy Method of Writing, When the System arrived, I carefully studied it evenings afterwork. Within amonth I had completed two plavs — one of whi'-h Fold for S50n.00. the other for 5450.00. I unhesitatingly say that I owe it all to the Irving Svstem." — Helen Kindon, Atlantic City, N. J. Copyright, Lumiere Miss Helene Chadwick, versatile screen star, now leading lady for Tom Moore of Goldwyn Film Company, says : "Any man or woman who will Learn this Nev) Method of Writing ought to sell stories and plays with ease." Thousands of people imagine they need a fine education in order to write. Nothing is farther from the truth. The greatest writers were the poorest scholars. People rarely learn to write at schools. They may get the principles there, hut they really learn to write from the great, wide, open, boundless Book of Humanity 1 Yes, seething all around you, every day, every hour, every minute, in the whirling vortex — the flotsam and jetsam of Life — even in your own home, at work or play, are endless incidents for stories and plays — a wealth of material, a world of things happening. Every one of these has the seed of a story or' play in it. Think ! If you went to a fire, or saw an accident, you could come home and tell the folks all about it. Unconsciously you would describe it all very realistically. And if somebody stood by and wrote down exactly what you said, you'd be amazed to find your story would sound just as interesting as many you've read 111 magazines or seen on the screen. Now, you will naturally say, "Well, if Writing is as simple as you say it is, why can't I learn to write?" Who says you can't? Listen! A wonderful free book has recently been written on this very subject — a book that tells all about the Irving System — a Startling New Easy Method of Writing Stories and Photoplays. This amazing book, called "The Wonder Book for Writers," shows how easily stories and plays are conceived, written, perfected, sold. How many who don't dream they can write, suddenly find it out. How the Scenario Kings and the Story Queens live and work. How bright men and women, without any special experience, learn to their own amazement that their simplest Ideas may furnish brilliant plots for Plays and Stories. How one's own Imagination may provide an endless gold-mine of Ideas that bring Happy Success and Handsome Cash Royalties. How new writers get their names into print. How to tell if you are a writer. How to develop your "story fancy/' weave clever word-pictures and unique, thrilling, realistic plots. How your friends may be your worst judges. How to avoid discouragement and the pitfalls of Failure'. How to win! This surprising book is absolutely free. No charge. No obligation. Your copy is waiting for you. Write for it now. Get it. It's yours. Then you can pour your whole soul into this magic new enchantment that has come into your life — story and play writing. The lure of it, the love of it, the luxury of it will fill your wasted hours and dull moments with profit and pleasure. Tou will have this noble, absorbing, money making new profession! And all in your spare time, without interfering with your regular job. Who says you can't make "easy money" with your brain! Who says you can't turn your Thoughts into cash! Who says you can't make your dreams come true! Nobody knows — but the book will tell you. So why waste any more time wondering, dreaming, waiting? Simply fill out the coupon below — you're not buying anything, you're getting it absolutely free. A book that may prove the Book of Your Destiny. A Magic Book through which men and women young and old may learn to turn their spare hours into cash! Get your letter in the mail before you sleep to-night. Who knows — it may mean for you the Dawn of a New To-morrow! Just address The Authors' Press, Dept. 81 Auburn, New York. THE AUTHORS' PRESS, Dept. 81, Auburn, N.Y. Send me ABSOLUTELY FREE "The Wonder Book for Writers." This does not obligate me in any way. Name . Address City and Slate .