Picture Play Magazine (Mar-Aug 1924)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

73 Hints from Our Club set display favorite costumes in their warm-weather wardrobes Photographs by Witzel which ends about eight inches above the hem of the dress, has sleeves and back beautifully embroidered in white braid. Imitation ermine forms a soft and attractive standing collar. This costume could easily be duplicated in any of the wood tones of cocoa brown or lanvin green, in silk or woolen materials, and would make an effective and sensible outfit, particularly as the coat could be used exclusively as a separate garment. Two of the most practical and clever summer frocks are the light weight flannels worn by Helen Ferguson and Lillian Rich. Flannel, despite its Practically every girl will find a separate coat, such as this one of Carmelita Geraghty's, essential to her summer wardrobe. Lillian Rich's tight, trim dress is best suited to the slender type of girl. warm-sounding name, is one of the most popular materials for straight, boyish dresses and jaunty sports suits, beside being perfectly stunning for five-eights-length, unlined coats or wraps. Miss Ferguson's frock is developed in white flannel, piped in red, and trimmed in a single row of red and white buttons running down the right side. The success of this simple, yet dashing and becoming frock, depends entirely upon the length and roll of the collar, which is its distinguishing feature. The tight-fitting, swagger costume which Lillian Rich wears had best be attempted only by the slender girl. It would be just as striking in navy blue poiret twill with satin collar and cuffs of contrasting color as it is in softest lemon-yellow flannel with the very individual collar and cuffs of white satin. A conventional, but very comfortable and neat-looking outfit is the white baronet satin skirt and black silk sweater worn by Vola This dress of Clara Vale. A black and white blocked silk scarf and white Horton's is the kind one slippers with ornamental black tongues are smart touches can virtually live in. to a costume of great Utility. [Continued on page 111]