Picture-Play Magazine (Mar-Aug 1925)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

33 Old with the New their counterparts years ago on the stage, examples of which offer By Harold Seton Gowns are shorter and waists are not so slender as they were in 1890, but there are points of similarity between the picture of Hope Hampton, on the right, and Lottie Collins, who took the country by storm when she introduced the once-popular song, "Ta-ra-ra-Boom-de-Aye." Mrs. Leslie Carter's Zaza was a sensation two decades ago. But the costume she wore, shown below, seems restrained compared with the one which Gloria Swanson wore in the screen version of the play. Photo copyright by Underwood & v / i7 The type of the sweet and sympathetic heroine has not changed so much, as you will see by comparing Isabel Irving, above, with Lois Wilson, on the right. Hats, however, have changed a good deal, as you will note by comparing the one worn by Fanny Davenport, in 1879, with that worn by Mae B u s c h , this winter.