Picture-Play Magazine (Mar-Aug 1925)

112 Advertising Section FREE— Trial Bottle Don't Be Gray When I can stop it To let gray hair spoil your looks, by making you seem old, is so unnecessary when Mary T. Goldman's Hair Color Restorer will renew the original color surely and safely. Very easily applied — simply comb it through hair. No interference with shampooing, nothing to wash off — just beautiful, natural, becoming hair. My Restorer is a clear, colorless liquid, clean as water. No danger of streaking or discoloration, renewed color is perfect in all lights. Mail Coupon Today Send today for the absolutely Free Trial Outfit which contains a trial bottle of Mary T. Goldman's Hair Color Restorer and full instructions for making the convincing test on one lock of hair. Indicate color of hair with X. If oossible, enclose a lock of your hair in your letter. Please print your name and address"" —» FREE TRIAL COUPON Mary T. Goldman, 616-H Goldman Bldg., St Paul, Minn. I Please send your patented Free trial Outfit. X shows ■ color of hair. Black dark brown medium | • brown auburn ('dark red) light brown I light auburn (light red) blonde Name . | Street City FRECKLES Now is the Time to Get Rid of These Ugly Spots There's no longer the slightest need of feeling ashamed of your freckles, as Othine — double strength — is guaranteed to remove these homely spots. Simply get an ounce of Othine — double strength — from any drug or department store and apply a little of it night and morning and you should soon see that even the worst freckles have begun to disappear, while the lighter ones have vanished entirely. It is seldom that more than an ounce is needed to completely clear the skin and gain a beautiful complexion. Be sure to ask for the double strength Othine as this is sold under guarantee of money back if it fails to remove your freckles. We recommend Othine Complexion Soap for use with Othine, also as a shampoo — it's wonderful for bobbed hair — 25c a cake at all drug or department stores or by mail. Othine Laboratories, Inc., Buffalo, N. Y. Something "^EW for BOBBED HAIR There is a tremendous difference in bobs. Some are wonderfully attractive and becoming, while others, well — which kind is yours ? I wish you could picture the becoming kind I have in mind — the sort that makes men turn to admire. I can't tell you what the color is, but it's full of those tiny dancing lights that somehow suggest auburn, yet which are really no more actualcolor than sunlight is. It's only when the head is moved that you catch the auburn suggestion— the fleeting glint of gold. You have no idea how much your bob can be improved with the "tiny tint" Golden Glint Shampoo will give it. If you want a bob like that I have in mind, buy a package and see for yourself. At all drug stores, or send 25^ direct to J.W. Kobi Co., 678 Rainier Ave., Seattle, Wn. Golden Glint SHAMPOO How the Stars Use Their Hands Continued from page 56 the bars of a cell to which she had been sent for speeding. Both constituted real incidents in the play — these two poses of the hands. Erich von Stroheim, director at Metro-Goldwyn-Mayer, declares that in all the history of dramatic expression, Eleanore Duse reigned supreme in the technique of the use of the hands. He declares that in this extremely difficult art she never was and probably never will be excelled. The nearest approach to her, he says, is shown by Zasu Pitts in "Greed." "She makes a subtle use of her hands," he said. "With the slightest gesture or the formation of a shape with her fingers, she can express a given emotion in such manner that the emotion is conveved fully. Robert Leonard declares that Mae Murray has the most beautiful hands he ever has seen and that she was one of the first to utilize them in the creation of a definite mood or feeling. Probably no more remarkable use of the hands in portrayal of emotion has been shown in recent years than was shown by little Mary Philbin in Universal's current production, "The Phantom of the Opera." Of similar importance were the hands of Nita Naldi in "Cobra," the Ritz-Carlton production featuring Rudolph Valentino. Pola Negri recently declared, while discussing the use of hands, that there is no "happy medium" — that one must know how to finesse perfectly or not use them at all. "There is one grave mistake many actresses make in evincing anger," she said. "Many feminine portrayers clench their fists. In deep rage, a woman does not do this. Instead, she extends her fingers to their full length and spreads them out. The reason is obvious. A man clenches his fists because it is his impulse to strike when angry. The impulse of the woman is to scratch or choke." In comedy roles, Harry Beaumont, director for Warner Brothers, says Louise Fazenda has been known to get more laughs by twisting and rubbing her hands than in screwing up her face and using comical make-up. But all these instances refer to matured actresses — the stars of the cinema world. The lesson to be drawn by the aspiring novice is — "Learn to use your hands !" And this advice comes from those higher up. Here's a Lucky Girl! Continued from page 95 Chaplin may decide to retain her, and that would probably mean small chance for her to appear in other films, because Chaplin is rather averse to this sort of thing for his leading women. Miss Hale is perhaps not the strikingly intellectual girl that you might imagine would play in such a highbrow film as "The Salvation Hunters," but she has a fund of native and, what directors are sometimes pleased to call, unconscious talentShe has something in her, too, of the" dreamer, though she is bright in an intuitive way. On the screen she gives the impression of having lived intensely and of being somewhat wasted by the process. Off the screen this curious ennui seems to be transformed into a quiet and reserve that is not studied but perfectly natural. There is a rare spark somewhere in her being, but it needs the correct environment for it to be fully ignited, and in that case pictures may have a new and vivid emotional actress. The Salvation Hunters" Hero Continued from page 53 For the members of this cult, who were strict vegetarians, he managed to get every variety of greens, and he also kept them supplied with "strictly fresh yard eggs" which he purchased at a "special reduced price" from Bobby Agnew's ranch. And to Chaplin and Viola Dana, Stuart Holmes and others he sold daily orders of the most expensive provisions obtainable. Not only did he make them buy from him, but when he was invited to their homes for dinner, he tells it on himself that he would eat bounteous portions of imported sardellen and anchovies, and mammoth olives, exuberantly encouraging all the guests to do likewise, so that the following day his grocery order from Miss Dana's cook, for instance, would be twice its normal size !