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Contents —Continued
Gay-colored Gowns for April ....
Ushering in the spring styles.
A Star Turns Reporter
Miss Myers' impressions of two more Picti kk-Play writers hart and Mona Gardner.
The Screen in Review .....
Taking a critical look at the latest showings.
A Confidential Guide to Current Releases
Tips on what to choose when you're going to the movies.
An American Gentleman .
The Americanization of Tony Moreno.
Hollywood High Lights
First hand news from the Coast.'
An Actress Talks About Men
Lilyan Tashman discusses the opposite sex.
Renee Adoree Explains the French Girl
The differences she has found between the French
Georgia, Unlimited ....
The future possibilities of Georgia Hale.
Behind the Windshield
The varied and unusual tastes of the players in
A Bit of Real Bohemia ...
At home at Richard Burke's photographic studio
Polo in the Film Colony .
On the field with some of the movie folk.
Dressing the Part .
The value of suiting your clothes to the type of
The Latest Style in Bridal Attire .
Up-to-date variation of the wedding dress.
Milady's Sideburns ....
Photos of how the stars are wearing them.
Information, Please ....
Answers to questions of our readers.
and American
the matter of
Betty Brown Carmel Myers
■Myrtle Geb
Sally Benson
Margaret Reid . Edwin and Elza Schallert Dorothy Manners Myrtle Gebhart .
temperament.
Dorothy Manners
role you want
cars
Helen Ogden Tom Weatherby
Mona Gardner . Cora Carlson
The Picture Oracle
60 62
64 68 69 70 73 74 83 84 86 87 88 91 93 102
A FKW YEARS AGO
a young director named King Vidor attracted some attention by turning out some homely pictures in which Zasu Pitts was the featured player. He was later given a chance to direct a film for a big company, and the result was "The Jackknife Man," which was hailed by the critics as a little masterpiece.
Unfortunately, the picture did not meet with popular approval, and King Vidor was obliged to lay aside his dreams of making the kind of films he wanted to. But he kept at work, doing the best he could under the conditions confronting him, and at last he made "The Big Parade," the story of which is now screen history. Thanks to that picture, King Vidor has emerged as one of the leading directors, a man whose work will be watched in the future, and from whom great things may be expected. Edwin Schallert has been writing a study of him, which will appear in our next issue, and which cannot fail to be of unusual interest to all picture lovers.
Helen Klumph is going to tell you, in the next issue, about the amusement life of New York — edition of 1926 — which engages the interest of the stars whenever they have the good fortune to be in the metropolis. It will be like a personally conducted trip through New York's newest night clubs.
Milton Sills has been making one of the biggest productions in which he has appeared since "The Sea -Hawk." It is to be an epic of the steel industry, and he recently talked about it to Frances Rule, a new member of Picture-Play's family of writers, who will tell you next month, what he told her about the production.
There will be in that issue several other new and interesting features on the varied phases of picture making, and of the lives of picture people. Don't fail to get a copy !