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Advertising Section
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"Volcano" — Paramount. Bebe Daniels in the emotional role of a girl in the West Indies who doesn"t know whether she is white or not. Lovely settings and picturesque costumes. Also Ricardo Cortez.
"Volga Boatman, The" — Producers Distributing. A slow-moving De Mille film, built around the early events of the Russian Revolution, and featuring the love affair between a boatman and a princess. William Boyd and Elinor Fair in the leads.
"Wet Paint"— Paramount. Raymond Griffith turns into a slapstick comedian in a film which you enjoy in spite of yourself. Helene Costello is the heroine.
"Whispering Smith"— Producers Distributing. Exciting crook melodrama, with H. B. Warner in the role of a secret-service agent who falls in love with an outlaw's wife. Lilyan Tashman. Lillian Rich, and John Bowers.
"Why Girls Go Back Home"— Warner. Patsy Ruth Miller and Clive Brook in film of a small-town girl who becomes a Broadway star and brings her husband home to meet the foiks.
"Wilderness Woman, The" — First National. Aileen Pringle bursts into comedy, with highly entertaining results. Chester Conklin adds to the fun, and Lowell Sherman makes the film complete.
RECOMMENDED— WITH RESERVATIONS.
"Bride of the Storm"— Warner. Dull nd dreary. Girl, stranded on an island
ith three bad men, is rescued just in ime by United States warship. Doores .Costello and John Harron.
"Broken Hearts"— Jaffe Art Film.
oresome, sentimental drama dealing
ith the troubles of a young Rusian Jew. Poorly done by Maurice
chwartz and Lila Lee.
"Dancer of Paris, The" — First Naional. Mediocre film based on Michael
rlen story. Dorothy Mackaill very ovely in role of dancer. Conway Tearle pposite her.
"Devil's Circus, The" — Metro-Goldyn. Neither very good nor very bad. orma Shearer in role of circus girl. Jharles Emmett Mack is the crook ero, and Carmel Myers a jealous oman.
"Ella Cinders" — First National, dapted from the newspaper comic trip. Superficial but not unpleasant, "olleen Moore amusing in role of doestic drudge who rises to movie ame. Lloyd Hughes wins her. "Fascinating Youth" — Paramount, eaturing the graduates of the Paraount School, none of whom make uch impression. Tale of a rollicking oup of young artists. "Little Irish Girl, The"— Warner, fuddled film, with intervals of good ntertainment. Dolores Costello :s an 11-treated young girl in a nest of rooks who has no chance to go traight. John Harron to the rescue.
Miss Nobody" — Paramount. Faretched, poorly acted film in which nna Q. Nilsson, a runaway disguised s a boy, accidentally becomes one of a gang of hobos, there meeting Walter Pidgeon. "Mile. Modiste"— First National, orinne Griffith in a showy adaptation
of the old-time operetta. Not much more than a succession of beautiful clothes. Norman Kerry the hero.
"Other Women's Husbands" — Warner. Marie Prevost and Monte Blue in another one of those domestic comedies, with the usual entanglements. Phyllis Haver and Huntly Gordon are the other couple.
"Paris" — Metro-Goldwyn. Silly story made entertaining by the performances of Charles Ray and Joan Crawford. A rich American becomes enamored of an apache girl and fights it out with her apache lover, Douglas Gilmore.
"Prince of Pilsen, The" — Producers Distributing. Out-of-date comedy. German-American and daughter go to Germany and become involved with princes and politics. Anita Stewart, Allan Forrest, and George Sidney.
"Reckless Lady, The"— First National. Unusually fine cast in rather disappointing picture. Belle Bennett and Lois Moran again together as mother and daughter. James Kirkwood plays the father, and Ben Lyon the juvenile.
"Sap, The" — Warner. Good idea badly handled. Mother's boy goes to war and accidentally becomes hero, only to be bullied on his return home. Kenneth Harlan in the lead.
"Social Highwayman, The" — Warner. A hodge-podge film, dealing with the exploits of a cub reporter, played by John Patrick. Dorothy Devore is a go-getting young lady writer.
"Soul Mates" — Metro-Goldwyn. Adapted from an Elinor Glyn novel of a beautiful American heiress who is forced into a quarrelsome marriage with a young British peer. Aileen Pringle and Edmund Lowe.
"Too Much Money" — First National. Long, involved slapstick comedy :n which Anna Q. Nilsson and Lewis Stone are made to act in a very silly manner not at all suited to them.
"Tramp, Tramp, Tramp" — First National. Harry Langdon grows monotonous in his first film of feature length. Tale of a simpleton who enters a transcontinental walking race. Joan Crawford is a bright spot.
"Unknown Soldier, The" — Producers Distributing. Another war picture, inclined to become tiresome, in spite of many poignant as well as amusing moments. Charles Emmett Mack and Marguerite de la Motte.
"Untamed L&dy, The" — Paramount. Gloria Swanson and a lot of stylish clothes and beautiful backgrounds in a poor picture — modern version of "Taming of the Shrew."
"When Love Grows Cold"— F. B. O.
Natacha Rambova, otherwise Mrs. Rudolph Valentino, not at all pleasing in badly filmed story of young wife who helps husband to succeed, only to find he has grown away from her. Clive Brook is the husband.
"Wise Guy, The" — First National. A film with no end of plot, but little else, showing how a medicine man and his accomplices cheat the public. James Kirkwood and Betty Compson.
"Woman of the World, A"— Paramount. Clowning and drama hopelessly mingled in clumsy film of a tejeweled countess, played by Pola Negri, who comes from Riviera to small United States town and falls in love with strait-laced district attorney.
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