Picture Show (Nov 1919-Apr 1920)

Th( Picture Show, March 21th, 1920. 21 Character as Told by the Face. The Powers of Understanding make themselves apparent in the face of Alma Taylor. ALMA TAYLOR. The Hepworth Star. THE fulness in the lower part of the middle of the forehead in this face shows a desire to see the world. It is clear that life or the powers of understanding mako themselves apparent in the forehead, which has been called " the vestibule to the temple of the mind," and ™ the domain of thought." It is almost perfect, and indicates a comprehensive and enterprising mind, memory for events, ability to analyse, and reason by analogy. The Eyebrows. THE fineness and evenness of the eyebrows denote a high-toned and susceptible turn of mind, combined with evenness of character, and a clear head. The Inquisitive Nose. INDICATES strong powers of thought, meditation, warmth, and intensity of feeling. What We can Tell by the Eye. THE two most expressive centres of the face are the eyes and mouth. The first ex> press the degree of intelligence, the second the forco of will power. Note the calm, honest, steady gaze, and almond shape, in which wo see love of approbation, the beautiful in art and nature, sensitive, but deep affection. The Mouth. HERE we have the mouth where laughter is at home, and a free and joyous guest. This lady likes her own way. Impulsive, affectionate, capricious, subtle, clever, the expression of a tender and charming individuality. The Chin. THE chin of Alma Taylor shows a desire for companionship, a leader, and determination to conquer what she sets her heart on. There is a liking for passivo pleasures, dislike of worry, friction, and trouble. In Love. THEY are extraordinarily successful with the opposite sex. Brilliant, fascinating, with a love for power and romance. They make charming companions. In many cases they are most fortunate in managing for others, and heavy responsibility suits them best. In Health. USUALLY good circulation and sound constitution. They are more open to mental suggestion as far as health is concerned than any other class. Congenial surroundings play ■c very important part with this typo, as they are affected by their environment. Their health is usually ruled by their thoughts, and if they think they are ill, it is quite sufficient that they are so, and they can become cured in exactly the same manner. FILM X?~LI^srp Misunderstood. Admirer : " That emotional actress is a regallooking woman She has such a fine carriage." Jealous Artiste: "Humph! I have a motor car." First Film Actor : " Oh, it might he worse V Second Film Actor : " It couldn't he. There is a real chicken dinner in the second reel." all that Making Preparation. Phyllis : " Gracious ! What crepe for ? " , Doris: "I had a chance to get it at a bargain sale, and you know my husband goes in for stunt-acting in films." Not What She Meant. " I think the baby has your hair, ma'am," said the nurse-girl, looking pleasantly at her mistress, the popular movie star. " Gracious ! " she exclaimed, glancing up from her book. " Rim into the nursery and take it away from him ! What will the child do next ? " Sarcasm. " What do you think ? " exclaimed the picture star proudly. They are going to name a new cigar after me ! " " Well," replied the producer, " here's hoping it will draw better than you do ! " The Difference. He (just proposed and refused) : " If you do not love me, and will not accept me, why do you accept my chocolate ? " Film Actress : " I love chocolates ! " Free At Last. Screen Hero : " I've just had a letter from tho old folk." Friend : " What does it.say ? " Screen Hero : " Come home. Your tailor is dead." What He was Missing. KmsT Film Actor : " Ah, Rudolph, why that sad expression ? " Second Film Actor : " I cannot help it. mo lord. I die in the first scene." Badly Off. No." declared the young film actor, with a touch of sadness in his voice ; " it may be that some day I shall be happy, hut at present it is beyond me." His companions were interestecL " There is a girl I love dearly," he continued. " She would have me if I asked her, but 1 dare not. I really cannot marry and live on two thousand a year." Consternation and pity were depicted on the faces of his friends. " You can't marry on two thousand a year '! " asked one. " Why not ? " " Why not 1 " echoed the youth. " Simply because I haven't the two thousand ! " Added Attractions. WE'RE coming on. In an advt. of one of the big London picture theatres a Napoleon and Sally comedy is featured with "SLIDING ROOF" and " PERFECT VENTILATION." — 4~» — MANAGER of big London picture theatre to departing patron : " 1 hopo tho roof slid to your perfect satisfaction, madam, and that you will come again and enjoy our wonderful ventilation." — (From tho "Trans-Atlantic Review.") 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