The Picture Show Annual (1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Above: Lily Pons, the French soprano it is up to the Screen to Give them Pictures Worth Acting in. [T is eight years since we heard the first voice speak ing on the screen — in 1928. Those eight years have seen the most astounding advance in the science of the mechanical reproduction of sounds of all kinds— especially in relation to its synchronisation with movement. The original method of reproducing sounds on wax discs, electrically amplified to the required volume, has been superseded by the sound-on-film method. This is divided into two classes—variable density and variable area being the way of reproducing sound vibrations translated into light rays by a photo-electric cell. The greatest advance is in the reproduction of the human voice. And the strongest argument that can be advanced to support the statement is the number of famous opera singers whose mechanically repro- duced voices have been heard in film theatres. Operatic voices put the sensitive microphone to the most stringent test imaginable. The superb breath control makes them capable of singing almost inaudibly or with sufficient volume to fill the Albert Hall without losing any of their purity or sweetness of tone. Three years ago the results were disappointing, so far as the artistic side was concerned, although 48