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Puture Show Annu.il 69 His and touches to her " make up" bdfore she tripped gaily forward to charm with her voice and dancing. Many countries seemed to be gathered around Dupont when 1 saw his direction of " Two Worlds." daring brilliance is arresting. He demands achieves. A French cast, an English cast, a German cast, were playthings in his hands. Randle Ayrton is always the character he is depicting. He is no longer Charles II, but a bearded spectacled Jew. Norah Baring, wistful and elusive, looks on, too, at the unfolding of a great drama in which they play leading parts. It is always pleasant to meet Leslie Hiscott, the cultured director at the Twickenham Studios. I watched him direct Dennis Neilson-Terry, seated on the floor at the foot of the camera scenario in hand. ' At the Villa Rose," one of Leslie Hiscott s successes, portrayed the dangerously pleasant byways of Continental life. Austin Trevor, the dashing Captain in " Bitter Sweet," is a newcomer to the screen worth starring. It is amusing to walk out of the greyness of a winter's day into the gay and bizarre atmosphere of the Russian Ballet in the Gaumont Studios. W. P. Kellino was directing Anton Dohn and Ludmilla in " Alf's Button, and later a burlesque by Nervo and Knox. Sewell Collins, the playwright and producer, made his debut in the British movie world when he directed Barbara Gott and Donald Calthrop, Monty Banks, who gave a remarkable performance in Atlantic,'' and shows his versatile powers in " The Compulsory Husband,'' which he directed with Harry Lachman. Alfred Hitchcock directing Kathleen 0 Regan, John Long- den, and Sara Allgood in " Juno and the Paycock-" The sets in this production were particularly artistic. Sewell Collins {with the microphone) and the " Night Porter " company. This includes Gerald Rawlinson, Trilby Clark, Barbara Gott, and Donald Calthrop.