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" Don’t move!" James Craig warns his tiny second son, Robert, as he performs pin-up duties. His older son, James junior, was Jive years old when this portrait was taken. Harry Carey junior and Mona Freeman in " Copper Can- yon ” — Harry Carey senior is seen at the ex- treme right. Eleanor Parker gives her daughter Susan a pick-a-back on her way to bed. average of five films yearly. Before his screen career he was on the stage and in 1939 made a hit in the American Theatre Guild production of " The Time of Your Life.” Ten years later he played this role (one of his best) in the film version of the play which starred James Cagney. A most delightful baby study is this from Eleanor Parker with Susan Eleanor, who celebrated ner second birthday on March 9th, 1950. I met Eleanor Parker during her visit here in May, 1948, when we were awaiting the release of the screen version of The Voice of the Turtle which she had finished before baby Susan was bom. She told me it was her success in school dramatics that led her to the stage. Seen by a Warner talent scout when appearing at the Pasadena Community Theatre, she was placed under contract to Warner Bros, studios. Her first film was Mission to Moscow, which we saw here in 1943. She has been with Warner Bros, ever since. Now we come to James Craig, photographed with his second son. James Craig says he was profiting by a previous experience when this was taken. He remembered his first attempt in the nursery on James junior, his elder son when he was a baby. " Don’t move,” says James, is the caption to this picture. James Craig’s screen success synchronises with the year of his marriage in 1938. That year he went to Hollywood to try his luck. Three days after his arrival he was given a screen test and a contract for Paramount. Two of his most successful films, Lost Angel and Our Vines Have Tender Grapes, have had post- war reissues. Here is a tribute to a grand old-timer whose death on September 22nd, 1947, was a big loss to pictures. Harry Carey senior was one of the earliest converts to the " silent drama.” As "Cheyenne Harry ” he became one of the Dest-loved figures of screenland in those far-away days. He wrote plays, too—plays in