The Picture Show Annual (1954)

Record Details:

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Judith Braun Casey Adams Anne Bancroft JUDITH BRAUN was bom on February 16th, 1930, in New York City, the daughter of an attorney who hoped that she too would follow a law career. From an early age, however, Judith had acting ambitions, and she began to study drama while at school. During her college days she managed to gain a little experience in stock companies and in radio. She was discovered for the screen by Universal-International and we first saw her in Red Ball Express, followed shortly by Horizons West. Hazel-eyed, with light brown hair, she is 5 feet 4J inches in height. CASEY ADAMS, who is seen above as he appeared in the role of Lt. Moore in What Price Glory, has an unusual contract with 20th Century-Fox. It calls for his services in no less than six different capacities — actor, director, composer, dialogue director, test director and lyricist. His experience has included playing and singing on a cruise, appearing with Irving Berlin’s " This Is the Army,” w r i t i ng the entire music for a show, and appearing on the Broadway stage. He came to the screen in a Warner film. Always Leave Them Laughing —he was then known by his real name. Max Showalter. One of his latest films is Niagara. SUZAN BALL owes her career to the fact that she baked the best chocolate layer cake in a contest at a charity bazaar. Her photograph appeared in a local paper and was spotted by screen talent scouts at the Universal-Inter- national studio, and she was invited to make a test. Brown-haired, hazel-eyed Suzan, who is 5 feet 7 inches tall, made her film debut in Untamed Frontier, followed by Yankee Buccaneer and City Beneath The Sea. MICHAEL MOORE, 6 feet 2 inches tall, with brown hair and eyes, was a drama student at the Pasadena Community Playhouse when he was asked to go to the Paramount studio for a test. He became a member of that studio’s " Golden Circle.” His first film was High Vermilion, and then he made a hit in The Atomic City. Following that he was kept very busy in such films as Pleasure Island and Stalag 17. Boston is his birthplace. May 28th his birthday. ANNE BANCROFT came to films in Don’t Bother to Knock, having previously appeared in television shows. On gradu- ating from a drama school she had been signed by a producer- director of many of the new medium’s best dramatic pro- grammes and in the two years she appeared on television she was in more than fifty top-notch shows. Dark-haired, dark-eyed Anne’s second film was Treasure of the Golden Condor. Michael Moore