Plan for cinema (1936)

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ASPECTS OF THE SOCIAL SCENE 1 7 and it is what we have been waiting for — a cowboy subject. For in this we are one with the children in our wholehearted enjoyment of the western story. We know it is the wildest possible melodrama, that the story itself will be rubbish from beginning to end; but there is a rugged granckmrjDfs^^ about the whole thing that will bring repose, even if only of a negative quality, to our city-besmirched way of mind. We do not absorb particularly (as intelligent adults, not clods merely, for we can integrate) the thrill specifically devised in the pistol shooting, the burning shack with heroine tied to a post inside, the sheriff with heavy jowl; they are for the children, by which we do not mean only the young in years. Fine horsemanship though, stupendous riding sometimes, exhibitions of immense virtuosity with lasso, against a majestic mountainous background; an environment of hard country pitted against still tougher men satisfies our inherent admiration for physical genius. For genius is not only of the mind, it is of the body also. The quintessential attraction of the cowboy western film lies in this quality : jt epj-tomizes action. And ultimately for most of us, for us who are not within the category of artist, philosopher, or metaphysician, what is action if it is not our little flights of fancy made manifest? § 2. Thrill, melodrama, slapstick, they are the c