Practical cinematography and its applications (1913)

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16 PRACTICAL CINEMATOGRAPHY until the next picture appeared. Thus, the requisite dissolving effect was obtained. The black flash did indeed produce a defect like that which was common in the early days of cinemato- graphy and was characterised generally as 44 flicker." But it did not suffice to ruin the illusion of movement. A white flash destroys apparent motion, owing to the brain being ex- tremely sensitive to white : a black flash of equal duration exercises no ill effects. In the latest development of the art, one inventor has taken advantage of this peculiarity. He has perfected a practical system wherewith the shutter of the camera may be abandoned because each picture is cut off from its neigh- bour by a very thin black line. An improved mechanism jerks each picture off and brings the next one on the screen very sharply, so that an effect is produced like that obtainable with the shutter and without any impression of flicker. It may be pointed out that with this invention there are none of the aberrations described in a later chapter, such as the spokes of a wheel appearing to move in the reverse direction to which which the rim is travelling. The next question is that of the speed at which it is necessary to take and to project the pictures in order to get an apparently true impression of natural movement. This factor to-day is governed