Practical cinematography and its applications (1913)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

92 PRACTICAL CINEMATOGRAPHY in the process will be reproduced with accen- tuated effect upon the positive film. Even with some of the topical films a positive is not necessary. To submit the negative to the local theatre or prospective purchaser is often a good way of saving time and being first in the field. Many theatres now are being equipped with dark rooms and printing machines. A glance at the negative will enable the manager to decide whether the film is serviceable or other- wise, and if a purchase is made, the deletion of the uninteresting parts can be made before printing. Incidentally, one great advantage of this is that the film is submitted for consideration about three or four hours earlier than would be the case if the independent worker struck off his own positive, and in these days of high pressure such a saving is important. It may often be the means of forestalling a competitor. Even if it is intended to supply prints to two or three different picture palaces the negative offers a means of transacting business, because the respective establishments can give their orders, make their arrangements concerning announce- ments, and be able to judge fairly accurately the hour at which the film will be available for projection. In one instance an independent topical worker who had a first-class negative of a popular subject drove round from theatre