Practical cinematography and its applications (1913)

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CHAPTER VIII ABERRATIONS OF ANIMATED PHOTOGRAPHY IT has been pointed out in a previous chapter that cinematography is nothing more or less than an optical illusion. Further proof of this asser- tion exists in plenty. When following the pro- jection of a picture upon the screen, one is often perplexed by a curious effect, or a movement which appears to be in opposition to all the known laws of motion. This happens not only in trick work where such odd and startling effects are introduced purposely, but in straightforward every-day topical subjects. For instance, it must have been noticed that when a ship or railway train is in rapid move- ment, and is photographed from a fixed stationary point, such as the quay or platform, the moving object appears to stand out in bold relief against the background. One gathers a very comprehen- sive idea of its length, width, height, and the comparative size of all its integral parts, such as the guns on the ship's deck or the locomotive's cylinders. It is a curious stereoscopic effect, but at the same time is not truly so, because it is only the moving object which appears to possess