Practical cinematography and its applications (1913)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

CHAPTER X SPEEDING-UP SLOW MOVEMENTS THE preceding chapter described how it is pos- sible to photograph extraordinarily rapid move- ments and to slow down in projection so as to enable the eye to follow them. Now I will go to the other extreme and show how the very slowest movements can be accelerated and thrown upon the screen in continuous motion. This feature has proved one of the most popular in the whole range of cinematography, for it has enabled the public to follow, within the course of a few minutes, such wonderful and apparently impos- sible studies as the growth of a plant from the germination of the seed and the appearance of the leaves to the bursting of the bloom and the formation of the seed for the propagation of the species. The speeding-up of relatively slow movements has become a favourite branch of research among cinematograph workers mainly because it is simple, inexpensive, and comparatively easy. The worker needs to develop only one special faculty. That is patience, for the recording of