Practical cinematography and its applications (1913)

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SPEEDING-UP SLOW MOVEMENTS 133 The "one-turn-one-picture" movement has to be adopted for many subjects other than flowers. For instance, it is necessary in filming the move- ments of the star-fish, in evolution phenomena such as the emergence of a chicken from its shell, and in the case of certain minute organisms which can be cinematographed only with the aid of a microscope. But the same broad principles apply in each case; there is equal need for time and patience, while complete success can only be achieved by careful observation and ingenuity. There are critical moments in such work and the unexpected frequently happens. Unless the operator is equal to the emergency weeks of tedious labour may be wasted. The study of exceedingly slow movements offers a very promising field to the patient worker. A film which occupies a month to photograph, and entails an exposure once every thirty minutes, produces a film only 90 feet in length. In projection it passes across the screen in a minute and a half. This means that a process of Nature is condensed into one thirty- seven-thousandth part of the time it actually took, and its presentation on the screen is a remarkable triumph. But at first sight the minute and a half seems a very slight return for the time and labour expended. This is one of the principal reasons why the professional