Practical cinematography and its applications (1913)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

170 PRACTICAL CINEMATOGRAPHY vibrations are fatal to good results. Slight modifications are sometimes needed, but in most cases the same appliances are used, and in the same way. The light is furnished from a 3O-ampere electric arc lamp. In front of this is arranged a series of lenses for concentrating and varying the rays, while all excess of luminosity is cut off from the microscope by means of a diaphragm. The microscope itself is set horizontally, with its longitudinal optical axis in line with that of the camera, and its eye-piece brought against the camera lens. The camera is one of the Pathe models with detachable dark-boxes. The ray of light thrown from the electric lamp is concentrated and then falls upon the micro- scope condenser, which deflects it so that the objects under study become illuminated, no light entering the tube of the microscope. The camera may be turned by hand, or by a small electric motor, the latter giving an improved rotary motion with the least possible vibration. One of the difficulties which harassed all the early efforts in micro-cinematography was the control of the light so that the subjects might not be killed by the heat generated by the con- centrated rays. At first an investigation could not be continued for more than a second or two, because the microbes were killed by the heat. Seeing that the pictures were taken at the rate