Practical cinematography and its applications (1913)

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228 PRACTICAL CINEMATOGRAPHY give a few hints to the beginner. A glance at the manuscript is enough to inform the reader whether the author is a raw hand at the work or otherwise, and although every manuscript is reviewed, more interested attention is attracted by a contribution which is set out upon more or less methodical lines. In the first place it is just as well to remember that the photo-play producer of to-day is a man of wide experience. In most cases he has graduated upon the stage, and has probably passed through all the phases between a touring company and a well-known theatre. As a result of this drilling he will have assumed a wide perspective. Sheer ability will have brought him to the control of the cinema-studio stage, where the work is most exacting, and where there is a very great demand for ingenuity and resource. Having mastered the intricacies and possibilities of the photo-play stage, and what can be done by photography, he will be a thorough master of craft. The greater number of the play- producers retained by the foremost firms are men who climbed to the top rung in the theatrical profession and merely went over to the motion- picture studio because it offered them greater scope for their prowess and knowledge. Indeed, one might go so far as to say that, unless a man has served his apprenticeship behind the foot-