Practical cinematography and its applications (1913)

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HOW TO WRITE PHOTO-PLAYS 231 observed. They like the list of characters to be given, together with a suggested period and setting. The cast should be kept as small as possible, as a plethora of characters in a photo- play is apt to be bewildering. Also the producer can amplify the cast if he wishes to do so. The plot should be set out in narrative form. A bald synopsis is quite sufficient because the scenario expert will judge the merits of the manuscript from this alone. In order to assist the producer the main points and situations may be indicated. After the synopsis there should be some sugges- tions for working out the story scene by scene. These are not essential, but they sometimes give the reader a better impression of the story, and help him in staging the play. The chances are a hundred to one that the play never will be staged as written by the author, yet its brief evolution is often appreciated. When the author works out his plots he must steer clear of introducing wild impossibilities or hopelessly impracticable suggestions. The producer is admittedly a clever man, and is able to get wonderful effects with the aid of the camera, nor does he hesitate to employ trickery when it will further his purpose, but there are limitations even to trick photography. There was one manuscript in which the author, after taking his villain through adventures