Practical cinematography and its applications (1913)

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246 PRACTICAL CINEMATOGRAPHY to conceal himself behind a tree less than six inches in thickness, proved to be merely comic. But other things equally ridiculous are found in many of the films of to-day, and that is the reason why the scenes are so judiciously rushed. By slowing down the speed of acting, though without reducing the sustained interest, Sir Hubert von Herkomer contends that the public will be put in a position to grasp the whole subject, and will be able to follow it more rationally and comprehensibly. At the same time the players will have time and scope to perform their parts properly. There is not the least reason why this should not be achieved without allowing the action to flag or the interest to drop. The lighting of the subject is another important feature to which Sir Hubert von Herkomer is giving attention. The illumination must be arranged to suit the situation, and as cine- matography offers the utmost latitude in this respect, it is unnecessary to rush to violent extremes. In many productions the studio stage is suffused with such an intense glare that all facial expression and shadows are sacrificed. Sir Hubert has realised how great is the scope for improvement in this direction, and is altering the whole principle of stage lighting. Similarly, in outdoor work he is supplementing sunshine