We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
five four screen story magazine i — . — ^!‘: y *<-»° kas „V. t as cin^ n6 J V 0'> lAa “ t ’ et ' - ro e. ® ut *£, +$& >r£ v . ?&' tt \*S. f;X^k^>* ce '' =f Raffle 5 ' 6 ut 11 ' S (fles. V° U , *e «« ' ’“ Ale 0> usi0 ®' m o« Ra ®t- oUt ° ean- 1 <* W ^ Raffle., • ^to >^@" e J t e,* f “ tV >o»fe' „.*»s£ sfess^Ssf-*' i*:-«,*-j; im AFFLES” was to criminals what Sherlock Holmes was to detectives,—a figure of mys- 1"%^ tery, aloof, aristocratic,—a master artist, as sure and keen in the perpetration of a crime as the great detective was in hunting out the criminal. Ronald Colman offers to the famous character all of its traditional daring and adventure, and an added charm that is peculiarly Colman. His sly humor, his crisp speech, his smooth and pol¬ ished manner are as integral a part of "Raffles” as they were to "Bulldog Drummond.” A gentle love story, warm in the feelings of real people, is interwoven through this thriller. That Kay Francis plays opposite Colman is its guarantee of ideal casting. R ONALD COLMAN is again the light comedian in "Raffles.” A successor rather than a sequel to "Bulldog Drummond,” it reveals the gay and debonnair figure of the world’s best loved crook at his last and greatest crime. Two generations have idolized the famous charac¬ ters of fiction and the stage. Many great play^s have ^ven it their own interpretation. Colman has brought to the part the bright, youthful originality that has always characterized his pictures, and the swashbuckling, devil-may-ckre spirit that has given them pace, speed and thrill. Picture fans the world over are to see in "Raffles,” that Ronald Colman has taken a great tradition and made it a greater one. ^ UT% AFFLES” is a romance as well as a thriller, a love story as great as it is world’s best loved crook melodrama. Ronald Colman, who plays the famous gentleman genius of crime, has his last and greatest adventure, with his beloved, his adored, at his side. It is she to whom he looks for redemption. Her help and understanding are his hope of tomorrow. Kay Francis plays opposite Colman,—the first dark-haired leading lady Colman has had in six years. Cool, radiant, intelligent and self-reliant, she was the producer’s logical choice for the famous thriller, love story and drama of regeneration all rolled into one.