Carnegie Hall (Warner Bros.) (1947)

®@eeeeeeeeseeeeeeeseeeaeeoeaeoeaeoeoseeeeeevseveeeeoevoeeeaneeoeoeeooeoeoeeeeecenaeeecesceaeneoneeaene ee eee 8 GO AFTER LOCAL CULTURAL GROUPS WOMEN’S CLUBS: Lists of local women’s club members were obtained from the Chamber of Commerce. Civic officials cooperated extensively, including the eo “Carnegie Hall” will get the wholehearted support of every local sym phonic organization, concert group, school and music club. Every effort ie Hall Week.” should be made to take advantage of this cooperation. Follow the lead of Myris. prodametion-0f ge woe CLERGY; In addition to the above, telegrams were dispatched to college heads Hartford, where the following special campaign was evolved for this large and members of the clergy of all denominations, inviting their recommenda audience: tions to their respective organizations on the basis that a production like “Carnegie Hall” merits the support of all who work for a fuller cultural developSCHOOLS: An advance screening was held for the heads of Public and Paroment of the motion picture medium. chial schools and executives of large business firms in Hartford. As a result of the relationship established at this meeting and the very favorable impression made by the picture, numerous blocks of 50 and 100 tickets were sold to groups of school children, insurance firms’ employees and women’s club memberships. SYMPHONIC GROUPS: Virtually every community has a local concert hall and a supporting organization. Such organizations can be immensely helpful in publicizing your playdate through their mailing lists. In each case special directives and promotional announcements were authorized For name of local Symphonic Hall or Symphony Group, write to: by those in charge, facilitating the sale of tickets to these special groups. School Press Book Editor matinees were scheduled daily to accommodate the school children’s theatre United Artists Corp. parties. 729 Seventh Avenue, N. Y. C. eeeeeeeoone eee eoeoeeoeeee eee ee @ eee o® PROGRAM DIRECT MAIL THROWAWA —ALL EFFECTIVELY USED IN FIRST DATE The Throwaway } 8” x 21”, printed on various col Ee | Gey Te 83 Produced by WILLIAM LeBARON and BORIS MORROS Directed by EDGAR G. ULMER ored stocks—which can easily be Boris Morros and Wm. LeBaron eG Ms een prepared locally. Add mail order Sereenplay by Karl Kamb Original Story by Seena Owen blank according to policy. They Art Director and Costume Desi OG Hepe o — olies i i i Production Téchnique . a) 5 ° Eugen ae should be distributed oe lobby at Musical Advisor . . . . . + Sigmund Kr Id i -Director of Photography . . ° 5 s a wii aie advance herald, a package ack Unit Manager. . . « « « George W. Ackerson, Jr. 1 ee: ee ee serts, on all music store counters, Dialogue Director: . * « © ‘s Jules Bricken on the streets and in mailings to Recordings (Reeves Sound Studios) Walter Hicks and Richard J. Vorisek music lovers. In Hartford over Film Editor . 5 4 ° 5 . Fred R. Feitshans, Jr. Makeup . Biss e . 5 5 4 5 Fred C. Ryle Special Effects : é * ° . ae ee « Roy W. Seawright 5000 such throwaways were “BEWARE MY HEART” .. , Words and Music by Sam Coslow “57th STREET RHAPSODY”. 5 « Composed by M. and W. Portnoif dropped from the tallest buildOrchestration * 5 + © +» «»« »« « Russell Bennett “SOMETIME WE WILL MEET AGAIN” . . By Gregory Stone i i “THE PLEASURE’S ALL MINE” at Meters og By Frank Ryerson and Wilton Moore “BROWN DANUBE”. . . . . Composed by Hal Bome Gebers 5 §& oP 5.56 5 5 “. . «, Charles Previn (Director of Music, Radio City Music Hall, New York City) oo 77 Orchestra Managers . . Daniel Rybb and Maurice Van Praag Ce rne te SLY Piano Recordings . « .» Nadia Reisenberg, Dorothy Eustis, G Walter Gross, David Saperton and Rosa Linda Western Electric Sound Recording, BORIS MORROS and WILLIAM LeBARON presonts . < ai h 1] ” == e [~rogram — ‘) OVERTURE: “Tuning Up” . 5 . 5 . Boris Mi Camegie a THE PHILHARMONIC-SYMPHONY SOCIETY OF NEW YORE Bre LEOPOLD STOKOWSKI Conducting Directed by EDGAR G. ULMER TSCHAIKOWSKY . . . Concerto for Piano and Orchestra ee Production Supervisor. .:. Samuel Rheiner in B Flat minor, No. 1, Op. 23 A First M ro r a eal : ‘Screenplay by Karl Kamb aS ‘ALFONSO D‘ARTEGA (as composer), conducting Original Story by Seena Owen Fourth Movement Produced and Photographed In WALTER DAMROSCH, conducting rh l d l is a CARNEGIE HALL, NEW YORK CITY WAGNER . _. _. Prelude to “Die Meistersinger” r e ar _ BRUNO WALTER, conducting eae we. Aas i P © = Io THAR ES RACHMANINOFF. . . . . “Vocalise,” Op. 34, No. 14 C O C Nora Ryan . © 2 6 ee) e+ Marsha Hunt DELIBES . . . . . “Bell Song” from “Lakme” (Act Il) locally for distribution at Bi eo en eee anes tur Pons John Donovan «sss ee Se “Frank McHugh CHOPIN. . . . Polonaise in A Flat major, No. 6, Op. 53 O 7 Ruth Haines. a A Wah ot . Martha O'Driscoll DEFALLA. . . “Ritual Fire D from “L ott all showings. It provides an Soon a aah Gey ee Ritual Fixe Danco” om “L'amour sorcier feisainisis og wo 6 0 6 6 6 oliitinciitis SAINT SAENS Le C ° e . ° . . . . ‘ygne (The Swan) Olin Downes « 5 . . 3 S * S 5 . Himself from “Carnival of the Animals” excellent means of building le duet Wig Gadd we cmacon ence eCarsival of the Rai Tschaikowsky . + + + + «Alfonso D’Artega SAINT SAENS . . . . “My Heart At Thy Sweet Voice” word-ot: -mouth. Additional Walter Damrosch (1891-1909) . . . Harold Dyrenforth from “Samson ond Delilah” (Act 11) Katinka. aa : + Eola Galli BIZET . Seguidilla” from “Carmen” (Act 1) RISE STEVENS BEETHOVEN . ° 5 . Symphony in C minor, No. 5, Op. 67, Fourth Movement In the Order of Their Appearance WALTER DAMROSCH NEW YORK PHILHARMONIC quantities may be distrib ARTUR RODZINSKL conducting ° QUINTETTE E uted in schools and colleges. BRUNO WALTER DEC 4 5 jo Se aoe 6 + “O Sole Mio” PHILHARMONIC-SYMPHONY JAN PEERCE ORCHESTRA OF NEW YORK LILY PONS VERDI. . . . “Il lacerato spirito” (The tormented spirit) GREGOR PIATIGORSKY from “Simon Bocanegra” (Act 1) RISEIS EVENS MOZART. . _ . “Finch han dal vino” (For a carousal where ARTUR RODZINSKI * : 7 ARTUR RUBINSTEIN all is ‘amadnoss) dom ‘Don Giovanni” (Act I) JAN PEERCE 7 EZIO PINZA SAMCOSLOW. . . . . . ~~ “Beware My Heart” VAUGHAN MONROE AND HIS VAUGHN MONROE and his orchestra ORCHESTRA TSCHAIKOWSKY . Concerto for Violin and Orchestra in D major, JASCHA HEIFETZ Op. 35 FRITZ REINER JASCHA HEIFETZ, soloist — FRITZ REINER, conducting BAAD CIEL ELS TSCHAIKOWSKY . . . Symphony in E minor, No. 5, Op. 64, HARRY JAMES Second Movement LEOPOLD STOKOWSRY, ¢onducting A FEDERAL FILMS PRODUCTION W. and M. PORTNOFF . . . . “Sith Street Rhapsody” BSED THRU UNITED ARTISTS HARRY JAMES € Mailing Piece is designed primarily for such groups as described at the top of this page — and particularly where mail or 1d, is the me Jow and der business is desired. All star heads are available on L— each . AEMORIA Sanat BUSHNELL i (og "CARNEGIE BNE ieee : : of se f fore seats CONS Me cea: ae? a b sing od EE Sp Noaton of 0809, DO Sanyo, 18 one mat; copy can be set sonst ired ane x mpe (last bee Su fee inno estes enclosed wih aes : : peck in bo" ode eee 12 . (Please © . Order for NEES A’ 180 ] ll Check of MONEY Oe chape Saks MATING peer orchestt® $109 oca ye se this | and self-addres rte TA Choice (remainder) 4°90 tS ny a Ae convenient mail order plank Name = H net de x) erect and Nol. clus (prices in MORIAL: Me ssHneLt § to Bust City. Order Mat (2X) .30 LF, ‘AR 7 FADDRESs en aval TNUE Theat ee _ @eeeeeeseeeeas eoeaeaeaeaeaeaenoeaeeoeneonaeaeen@egce If Police Dep’t approves, this is a most effective way to distribute throwaways. Page Nineteen