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| CAROL Genevieve Telia):
TH REE | CHARACTERS ~
Ga modern wife who decides | te P | i, CHARLOTTE: Haven’t w hat? |
to get back her wandering hubby.
| CHARLOTTE (Mary Astor) : ness of ‘making’ hubby.
ERIC (Edw. Everett Horton) : her peels lover.
“Regular station: announcements
followed by—
ANNOUNCER: Friends, > | happy to be able to offer docs your entertainment flashes from the gay |
: light comedy hit, “Hasy. toLove,” |
| the Warner Bros. picture.
[comes to the
yee Dee Bs
Her ‘friend’ who is in the bac
Carol’s friend who thinks he is |
. "ERIC: Wiens are you taking : A ite dearnsks 2 :
‘CAROL: (pur ringly) Not afraid, SW
are you? — ERIC: ((efiantly) Nevertld | So any where with you— =—
~ CAROL: Good. Pm taking you | Raced to a very secret little apartment, ¢ on
Peerevore crete Adolphe Menem nte Avenue.
Mary Astor, Guy Kibbee,
story.
NARRATOR: Thank you (name | of peas oF John and sac a well-to-do couple without
| Herbert, Robert Gren, Paul re
a iam a;
| reresentatise) will hpivec you a brief summary
to |. tes mek Carol | us? CAROL: No. (rings again) —
ERIC: (as if his conscience is | Everett Horton, Patricia Ellis, ugh bothering him) Carol—I hope you re |
‘not about to do something you'll
}regret. Perhaps I have been too.
sidered?
CAROL: Very carefully. Any-|} | body else in my position would do the same. Oh, here we are. cade
swerves to ae
CAROL: Quite so— (rings the| ‘°° dis carrying on a secret affair vin bell). ae ee Boar a f harlotte, a friend of the f: ‘amily — | : and that her mother is pretending | to be in love with Eric, in order | make her husband jealous. | has even gone to the extent of hir| }ing a detective, who reports that} sound of door opening) Oh, good | | John is to be found at Charlotté’s |,
ERI D a
et “they e
|apartment. Summoning the aston| lotte!
ished I her supposedly to
for purely social reasons. C: Eri¢ are in her ear on their way as
we hear them talking:
(voices over hum of car) ERIC: (tenderly) Do you rie
| Carol, until you phoned, |
always rend if * this | | day would ever come — and now it
has come.
CAROL: (sweetly) ‘It had 18 cee
.
1 it was inevitable. ERIC: (thinki
f remarkable thin | way. Yes indeed.
CAROL: (abruptly, 7 What time
fis it?
ERIC: “lByro: thirty, exac CAROL: Tell him to drive ERIC: (calling to deen ce uit. | | standing in the hall, dearest — No |
Erie, Carol gets [Bees to go, wie
| ng she means AW | We’re nothing but putty in the hands | of fate—ah yes — yes—love is a g—it must pbs its ;
CAROL: Oh, we found out about
“you,
CHARLOTTE: Found _ found |
| out — what?
CAROL: Your dear little hide-|
away, didn’t we, Erie? ERIC: Yes, yes indeed.
‘how are you’ — ERIC: Oh, OS — ah —er| —how are you, Charlotte? us CAROL: (sweetly) You’ re never
| home any more, darling,. so, I. put two
and two together —and here we are.
CHARLOTTE: Yes, —. yes,. of | cour Se.
CAROL: Why do you oa us
| tle faster, . please—(sounds of. ot) chairs or ripapeas 2 Why don’t you
. Ah, Carol — how ae agian
fare! I never realized
fee us in?
CHARLOTTE: Why, oie eres
| No, not till you called me ak fon! |place is so — messy — I — I just
day, and commanded me to come to| you. And here I had been thinking
got up. we CAROL: = (repr ovingly) Why,
that you were cold and reserved.| yowre just lazy. Oh, oh, what a
ff Yes, indeed, I certainly ‘was.
|You’ve never really known
| charming apartment. _ Isn’t it, Eric? CAROL: (with double meaning) Awfully charming — a bit Bo-| me, | hemian —Oh, and a fire! I always]
| Eric. In fact, until THIS hap-|} say there’s nothing like a good. fire,
honed, I’ve never aeeey eine ba my
| self. ERIC: (in cestasy)
| don’t I, Eric? Ba oe ERIC: Oh, yes ale yes, bfigs na 1 , you} quite often. pes
| do look especially beautiful today | —so adorable. That dress — that |fy divan — and nobody to share it|
CAROL: This Nasratile big, com
| hat —like a. painting by —er— ah with you, Charlotte memcia I’ve simply |
ees one of those artists — CAROL: And why, my you think I made myself
ticularly attractive?
_ ERIC: (overwhelmed) tell me it’s so — but — but
hardly believe it.
CAROL: (slyly) You ARE
Hrie darling.
derstanding,
| got to euddle down on it. Come, lo'| Eric. Chilly out, Lees it really | aris. sisnit 1; rie? heey a |} ERIC: W hy yes — yes — very. 2: rs | chilly.
CAROL: This certainly is DI
VINE, Charlotte — this little nest of yours. It’s the sort of place-| | where one might stumble. on. almost | ( 4 r
| Carol — ; ee | CAROL: | hig’ stub is still smokjing! .There, there, darling — don’t | | deny it, if you do! right! Amy Lowell did — Gertrude | _ Stein ui big not you! It’s the |
reed in your in|}; “But tell me, darling, | ing? en going on?/,, eae
ti swept you—ah-— off your| rfeet as it. were. Have you. con-|
afternoon BSS my DARLING | Char|
a (confused and 1 stuttering) Why — why Carol — hello — I —
| certainly, of: course
TI could do my painting. CAROL: (feigning surprised de| light) Oh, you paint, too? Darling, | , Ja |why DO you keep these things from just ton! ieee tee way ae ‘acts? | Where ARE your paintings? | Most men would be utterly brazen | — ; — but not Erie!
J ccampalel
me?
t interest.
any raise, if vou know wl hat tt meant E! No! You haven't
Oh, CHARLOT really, have you?
CAROL: Hav en’t: taken to_ smok-| ie a
ing big black cigars? CHARLOTTE: It — sia —
I glory i
ERIC: “why, yes = yes Andeod |
tes WORY, cute ct
CAROL: TI can see yowre an old oe ne 2
time with servants! ie LOVE eit
CHARLOTTE:
hand at it, Charlotte, but how long? CHARLOTTE: Oh > (cough) quite
la while — (cough) So many of my | artist friends do, you know that (cough) IT thought V’d try it, Then | g;
I — got to like them and (cough)
CAROL: (sweetly catty) And you | never told us a word... ; Did she, Eric?
Rigg ‘IT — I “don't think ae —
\ hy, Pm "heptnuing to]
3 think : yow re ‘a dual personality, | Charlotte. Isn't sBat what they eall | lit, Eric?
ERIC: Oh, y OS at yes — weak indeed! tages ; CHARLOTTE: _ Carol dear, ae
did you know abou it my little studio a
CAROL: A euri us chain of cirge: | cumstances —*VI1
ell you about i sometime, Oh; Ch
Youve led I simply MUST.
a box. Yes. anes is the pwery, last | ace Ba on Veres CAROL: Erie, why don’t you|
| greet Chaslotios Say. ‘hello’ or | aise) | never mind.: ru just smoke a plain |
CAROL: a bad, darling, but |
jeveryday cigarette. Have you one, | Erie?
SERIO! Aye ot tee your pardon — eigarette'
ten
Yes indeed 2 CAROL: Thanks, Eric. Oh, I
llove this room. Isn’t it fun, dear, ‘to have such a place to et away | from it all?
CHARLOTTE: Yes,
CHARLOTTE: Oh, I — T sent
them awédy to be framed, — only this morning. poe
CAROL: _ What sort of painting
do you go_ in for?
ERIC: ‘Gelpfully) Nudes, mye
Ua ee (off). This ane is aw-| {sah cng mn mR i
CAROL: No, dear, don’t! What
ever you do — don’t shut the bedroom door. I simply must see it —| it must be adorable — if ive, any; thing like this room — :
CHARLOTTE: (trying to vee com
4 »
Be sure to get newspaper apne on \ cither es, ae or | 4 movie page announcing | Lue fact that your coming picture will 1 be etherized. poe See tee
a on, this is just perfect! |
Ray eee Ae ee whispers) "ERIC: (of) Yes? ; ~ Come in ‘and § see char-| Bait it eran. ecla
woe er das — yes — yes |™ ' indeed — it certainly is. — are. : (laugh in See voi oe Oh, | The look, ook, Eric — look ty It’s quite all} TE
: CHARLOTTE: | oer fe Nase }ev erything in lace _ she —
2 come out. Who is he? Anyone w
pert dreadful eS
| onel Gree It does give one| Sieh
a ee: of — of — What ‘Shall Abe
‘CAROL: ee th ) Seclusion! % _ CHARLOTTE: : x es — es, that’ | mM.
Ww hat marvelNs
in’ you “your cl roset ie age _ CHARLOTTE:
: As I was saying — “ghist ae heed 4 is $0 5 bitorestii! (louder. sO the| husband in the maha may Neer) Fo Don’t you think S80, te
sOTT. er si people | are so conventional — 0 gh) Lue might misunderstand :
ro very Toned ‘Churlote, Wice a let. (reassuringly) We can conCharlotte, Erie dear. my inst friend!
arlotte, dear oy |have you. another cigs ‘me astray. is think fEry Ones TOO kei i: 8 Se eae CHARLOTTE: Why — let me | _ |see — no — no — I’ve just finished |
e in ch: uote — by ae means |
A Mek ce breathe word, Charlotte, will you? tr
CHARLOTTE: About w hat? | CAROL: ger, Ab Erie and
ful, Charlotte .——
Aa If. we ean Dt Sette oO ‘i ‘then Ww hom can we trust? Pee
: CHARLOTTE: This is all so mys|
Yes, yes —|
t took it so) DREPLY IN LOVE!
CHARLOTTE: Wee
You and — Erie Tm flabbergasted! |
canoe Erie is leasing an apartment in this building.
CAR EEOET Et In THIS . build| Yes, de: ar — that’s how we spneg you. —
CHARLOTTE: oa | handsome young fiancee, Paul! Yowll One n—never knows how |
the other moe? eee Ile koe one? |her wandering John; yowll like his |
ee told, Charlotte — ealeak. Gow | fall; “Easy To Love” is one of those |posed) Some other time — dear —|ering her voice my pcan eee Can the bed isn’t made up!
CAROL: “Oh, I MUST see. the f bedroom, Charlotte — _ i
CHARLOTTE: Please, dear —. |
ANYBODY hear re
CHARLOTTE: | why do you ask?
ll be frank, (¢
hard to forget. Till _| next. at the Strand — good bye 4 j and GOOD LUCK. |
dear. ( tome here. (pause, then she There’s a, min in ther
1 Fisn’t there? an: CHARLOTTE: Geared) Why —|fCarol ite I — ; 1 ERIC: =. an | imbecile)
A mm. |
\ whisper) we no, let's 8 nee Ly “here. = 3 Have him come out.
eS OO. Oiee f pee te ake eam ste CAROL: Yow’re Se bagi nae | ( Mave: him |
jling. Do, “Charlotte,
know?
| just an old friend of mine
oT
ae fe
o meet |
onel! oe Mase
Bee it’s a — it’s a|mu very nice one — yes — ‘indeed ah AB CHARLOTTE: | two talking about?
ERIC: (relieved) — As the ae i phrase puts it — you said a mouths —you did inJ
| deed, yes, yes
ing — Erie and I are} (sympa; eee off, of something | 4 There that noise| ae! ‘CAN — it be! Yes,| — as Tm telling YOM y ERIC AND is
‘ERIC: eae, I (CAROL: © Don’t forget, Charlotte | — you’re coming to us to dinner | "| this ‘ev rena weed aching: notes J
ERIC: (off) Good bye. ] CAROL: (off, lovingly): Good bye, 1 °
| darling. | CHARLOTTE: Good ieee (Beer. | slams) eee oe ee NARRATOR: And this only sets | idtac) for one of the jolliest | tem that ever raged in a family teapot — a tempest which. blows
-|up not only John, Carol, Eric, Char|
lotte, and daughter Janet and her a |
jlove the soft, eatty, tinkling, de| |mure trickery of Carol to reclaim |
bewildered bravado and final down
rare light comedies, easy to see and |
ia er er ge ie Pal ati Serer
THE EN ‘D, oe
Page Nineteen