God's Gift to Women (Warner Bros.) (1931)

_— Ses ne Lomedy Angle Of This . icture, but— There’s Plenty Of Real Romance, Too! A WARNER BROS. & VITAPHONE COMEDY Brunettes! ‘@) filmed! FRANK FAY HIS DIARY IS AS SPICY AS A PAGE OF LA VIE PARISIENNE! Never such a lover! Life is just one beautiful conquest after another. Redheads! of his appeal in the funniest farce ever Blondes! Learn the secret witk D Mar gare holid pundle of Jo¥: TUESDAY | beware °o Clair AY o—Spain’s gi ¢ the a la __-prunette, bed _-husband out of ft to 1001 Bigger, Better Laughs! Cut No. 7 Cut 60c Mat rsc ONE FOR ALL AND ALL FOR ONE (Current Story) Frank Fay, starred in “God’s Gift to Women,” the Warner Bros farce now at the Theatre, says that he likes the talkies because it is a case of one for all and all for one—that is one performance If You Need a Laff Here It Is For You (Current Story) If you feel the need of a good, hearty laugh—an evening of good hearty laughs—come tonight to the Theatre and see Frank Fay in Warner Bros. latest French farce, “God’s Gift to Women.” The large cast includes Laura LaPlante, Joan Blondell, Margaret Livingston, Yola D’Avril, Louise Brooks, Nena Quartaro, Ethlyne Claire, Hazel Howell, the G Sisters, Charles Winninger, Arthur Edmund _ Carewe, Armand Kaliz and Charles Judels. The story is that of a modern Don Juan of Paris who has so many ladies that he is hard put to it to know how to get rid of the old and on with the new. His doctor orders complete rest and warns him that one more kiss will prove fatal. See how he decides between the two. You will never guess. Michael Curtiz directed. “age Ten reaches all the world—and if one is fortunate in making a hit, the world is all for one. Though the comedian that Broadway dotes on, has not decided to give up the stage for good, he regrets that the audience is so limited. On the other hand he misses the satis faction of applause. On stage or screen Mr. Fay seems to click with equal certainty. In God’s Gift to Women” he is cast as a philanderer of Paris, who is confronted with so many lady loves that he is at his wits ends to know how to be off with the old loves and on with the new. He is finally ordered by his physician that one more kiss will be fatal. His decision as to which to choose is one of the funniest of the many funny sequences in the picture. The cast is an imposing one ineluding Laura LaPlante, Joan Blondell, Margaret Livingston, Yola D’Avril, Louise Brooks, Nena Quartaro, Ethlyne Clair, Hazell Howell and the G Sisters—as well as Armand Kaliz, Charles Judels, Charles Winninger and Arthur Edmund Carewe. The piece was written by Frederick Hazlitt Brennan. It is based on the stage play “The Devil Was Sick” by Jane Hinton. Joseph Jackson and Raymond Griffith did dialogue and screen play. Michael Curtiz directed. Hair Pulling Match Enlivens Liveliest Sequence Of Farce (Current Story) “God’s Gift to the Warner Bros. farce now at the .... Women,” apne Nee Theatre is a tornado lovechase through the gayest haunts of Frank Fay is the 1932 model lover who pursues and is pursued by a galaxy of beauties, who squabble and otherwise misbehave The hair-pulling scene which takes place in the bedroom where the object of the ladies’ love lies sick abed is probably the funniest of the whirlwind sequences. Among the screen beauties in God’s Gift to Women” are Laura LaPlante, Blondell, Livingston, Yola D’Avril, Nena Hazel Howell, Ethlyne Clair and the Sisters G, as well as the comedians Charles Armand Kaliz, Arthur Carewe and Charles Judels. The story is by Frederick Hazlitt Brennan who based it on Jane Hinton’s play, “The Devil Was Sick.” Screen play and dialogue are by Joseph Jackson and Raymond Grif. fith. Michael Curtiz directed. “God’s Gift to Women” will give you the laughs you need. Go to see it tonight and take the folks with you. Paris. in their efforts to win. Joan Margaret Quartaro, Winninger, Edmund FRANK FAY ONE OF THE FEW WHO CAN CAVORT NATURALLY BEFORE “SILENCE” SIGNS OF TALKIES Star of “God’s Gift to Women” Adept At Obeying and Disobeying (Short Feature) Frank Fay, who is starred in “God’s Gift to Women,” the Warner Bros. production now at the ........ Theatre, is as adept in doing the right thing at the right time as any comedian of the day. His gift for impromptu speech and action is so keen that he is one of the few allowed to ad lib on the talkie set. He has also the ability to pick his way noiselessly among do-dads which would be apt to trip up less agile mortals, and break the silence so necessary to satisfactory recording. “The talkies have proved the old adage that silence is golden” says Mr. Fay, “for every sound that makes a retake means many shekels to the producers. The stages are not the flimsy old type ones, but built apparently for all time like the pyramids and as deaf as the sphinx. The sort of rugs and drapes used must be those that absorb and deaden sounds. Shoes must not squeak. Sneezes are as tabu as coughs. Red lights warn outsiders that a scene is in the making, and no one must enter on penalty of death. Even the cameras wear blankets like old Indian chiefs. Sputtering are lights have been replaced by most decorously silent incandescent ones. I was not born or bred to the sereen and the transition was a bit difficult— but I have developed the step of a ghost and the silence of a hermit— except when I am _ given the floor— and then I will say that I make the most of it!” The cast which supports Mr. Fay in “God’s Gift to Women” includes Laura LaPlante, Joan Blondell, Margaret Livingston, Louise Brooks, ~ Nena Quartaro, Ethlyne Clair, the G Sisters, Charles Winninger, Armand Kaliz, Arthur Edmund Carewe and Charles Judels. “God’s Gift to Women” was written by Frederick Hazlitt Brennan who based it on the play “The Devil Was Sick” by Jane Hinton. Joseph Jackson and Raymond Griffith did the’ screen play and dialogue. Michael Curtiz directed. Those who have seen ‘“God’s Gift to Women” claim that it is one of the most amusing farces ever produced. It has to do with the ways in which a Parisian lover of 1932 model, collects and disposes of the ladies who flutter to him as moths to the flame. His doctor warns him that another kiss will mean his death —on which he decides to take both. CAPITOL He’s Voo Bad To Be Good = Too Good To Be Bad! That’s Why They Call Him = BLO FRANK FAY Hollywood’s red-headed boy and his Legion of Loving Ladies. NOW PLAYING LAURA LA PLANRTE JOAN FLORINE BROOKS ADAGMAR akix GODS GIFT T0 A WARNER BROS. & VITAPHONE COMEDY HIT NOMEN ‘Nature made this man for love! And seven captivating damsels want that love! WNODOELL MER MARK VOUL\SE &S XOLA D'AVALL WER MARK NNOWRNE ETRALYN CL AVR WER SUZARNRE wa ae’ WIRA QUARTERS Their Lipstick ‘Prints Were His Coat of Arms! Cut No. 6 Cut g4oc Mat roc