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PRODUCTION INFORMATION
CHARMING SCREEN COMEDIENNE CAST OF CHARACTERS
Aen fet TEN etc Caer She Oat ra ea Warren William
Peso cist nee eNO tis a ye eg nash stent Joan Blondell SUDA Geen ee yikes bee ls ce Genevieve Tobin OCI oh coe ee eee ne ee Helen Chandler fo D0 PReamNens MRAP” Noble ote = ace ERGs AT eR Ruth Donnelly
LE Pee, tne lee i Ce OR Wallace Ford
El ariey Wasa Fae eee ee ee ee Hugh Herbert
Chigton. 5... Ge eee Hobart Cavanaugh SNCOR CEO 2k pati cca Rh cade ae eee Jay Ward deObel Mimganes fee i a sae ee Ferdinand Gottschalk fs TT 2 51 SSR RnR RS Se Senne F< 2 a Ray Cooke
SCREEN RECORDS
WARREN WILLIAM—“Gold Dig-| trance,’ “Ladies They Talk gers of 1933,” “The Mind Reader,” About,” Blessed Event.”
“Employees’ Entrance” ‘‘The| waLLACE FORD—“Employees’ EnMatch King,” “Three on a Match,” trance,” “Central Park,” “Possess
“The Dark Horse.” Ee ed,” “The Wet Parade,” “Freaks,” JOAN BLONDELL—‘Gold Diggers “Hypnotized.”
of 1933,” “Blondie Johnson,” “Lawyer Man,” “Central Park,” FERDINAND GOTTSCHALK— “Gold Diggers of 1933,” “Ex
if3 9 «663 5 Tiees eo 8. Mate, te | Lady” “rhe Keyhole enemies Blues,” “Miss Pinkerton. To Sa Yes.” “Gq d 31 » “Ciy] GENEVIEVE TOBIN—“Perfect UnAaa ins Be oc ohh derstanding,” “The Infernal Ma8: chine,” “Pleasure Cruise,” “A HUGH HERBERT—“Friends and Lady Surrenders.” Lovers,’ “Traveling Husbands,” HELEN CHANDLER—“A House| “The Sin Ship,” “Cracked Nuts,” Divided,” “The Last Flight,’| “Laugh and Get Rich.” “Christopher Strong,” “Vanity | MICHAEL CURTIZ (Director) — Street,” “Music Master.” “Private Detective 62,” “The KeyRUTH DONNELLY—“Private Dehole,’ “The Wax Museum,”
tective 62,” “Lily Turner,’ “Hard “Twenty Thousand Years in Sing JOAN BLONDELL who grows more popular with every picture is once To Handle,’ “Employees’ EnSing,” “The Cabin in the Cotton.” more bringing delight to thousands of movie goers in town. Her latest ‘ 4 screen offering in which she is co-featured with Warren William, is “Goodbye Again” acclaimed as the snappiest comedy of the year.
Cut No.6 Cut 30ce Mati10c
OFFICIAL BILLING
i
: : artes ~ THE ST@RY
First National. Pictures, ine. & The Vitaphone Corp. 25%
Kenneth Bixby, a romantic and | who has disappeared. They find Bixpresent philandering author, is idolized by| by alone in his stateroom, but see i 9 women, especially for his book “Mir-| Julie’s bag in an adjoining room GOODBYE AGAIN 100% iam.” He is in love with his secre-| and they sit down to wait for her. with tary, Anne, who travels with him on Julie finally slips into Bixby’s Warren William—Joan Blondell 15% his. leeture tours, the two leading a |stateroom instead of her own. Bixby, : : Bohemian love life. worried, manages to get Julie off Genevieve Tobin—Helen Chandler 60%
Julie, a woman with whom Bixby the train at a way station. The next Ruth Donnelly—Wallace Ford 60% went, to college, had married a prore at Wet ha Ae as Directed by Michael Curtiz 20% saic business man of Cleveland, Har-|’¥U“6 80 to Dixby’s hotel and there ‘ : ie ; : ee Wilecge ee had hoes as they see Julie come in and go to A First National and Vitaphone Picture 40% until she read “Miriam,” whereupon | Bixby’s room.
she imagines that she is “Miriam” Arthur demands a divorce, insisand that she and Bixby had been | ting that Bixby marry Julie. Harvey lovers in college. She thinks she consents and everyone is willing but has been faithless to him in marry| Bixby. ; ing Harvey and leads her husband a| They decide to talk the matter dog’s life by constantly holding up| Vet later and Bixby makes an apBixby as her idol. pointment with a man from an emBixby arrives in Cleveland or a ea Be eape se pe pResent, ye lecture tour and Julie immediate. v | 1"8 ae have Aim darorrape and ds
rushes to his hotel. He dosen’t even os I ae cs RIOTOUS SCENE FROM LYRIC HIT!
remember her, but finally recalls her they meet, _Arthur eee PECee the : _,{iran that Bixby has wronged Julie as an acquaintance. On a pretext
Ret aadie hal his wana de GiallGwok and he rushes out to tell the hotel Julie, he promises to meet her at a management. He has forgotten ak farm house that night. Jule and his “som. 16 in the -lobby; ‘however, Bixby have no more than left, than and the boy comes to the room to Elizabeth, Julie’s sister and Arthur, es
an attorney, come to the room Anne, decides finally to help out pee hed : Bixby. She pretends that the boy is
Bixby’s and tells Julie his mother is “Miriam.” Julie is heart-broken,
Length 6134 ft. Running time 66 mins.
They arrange with Anne to have Bixby attend a social gathering that evening and then plan to put him claiming Bixby had been unfaithful
on the train for Albany, his next|+¢ her and she leaves with her husstop. They are afraid that Julie, | pang.
idolizing Bixby, will cause a scandal.
Bixby tries to make up with Anne, After they leave, Harvey comes
: : who is packing to leave. He leaps around. He decides to wait for| on 4 window sill and threatens to Bixby. commit suicide. She tells him to go
The author, however, telephones | ahead but when he suddenly disapAnne he has been delayed, and asks| pears, she is terrified. He pops his her to meet him at the train. Har-| head in at another window and tells vey goes with her. Elizabeth and|her he has proved that she still Arthur are there, looking for Julie,| loves him.
PRODUCTION STAFF
BOSC OU IO PY co. Snir ad George Haight and Allan Scott
Pe erage tetas avai ea ee Ben Markson
Were ee Re ene ee ra et Michael Curtiz
TPT OUE IA UOCTOR rat ojos cd sink de Stanley Logan
on AS 9) Ai eee se aera ae SUR oO eae George Barnes
Film Editor RoR ee tage ee pla Pearce OR Mean. 2 Sees a Thomas Pratt GENEVIEVE TOBIN and WARREN WILLIAM will virtually panic you OTS a ca pct PRN 7a hn HRC ae Esdras Hartley when you see them in this screamingly humorous scene from the ace Gowns by Ba fe os oa are Cee Reet eee atts. Acie ever ees seats sheteaaloheian </s maraERIome ae Orry-Kelly comedy hit, “Goodbye Again.”
Vitaphone Orchestra Conductor .........0..cc0ccc0e Leo IF. Forbstein Cut No.3 Cut 30c Mat 10c
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