In This Our Life (Warner Bros.) (1942)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

DRAMATIZE CLIMAX IN LOBBY (Swell for Newspapers. too!) TMT TEST] @ A Visit TO THE SET with BETTE DAVIS and Charles Coburn as they enact the intensely dramatic climax of “IN THIS OUR LIFE” STL! BETTE DAVIS OLIVIA de STILLO STILL J HAVILLAND ie fe] Fe) fe] 3 BRENT DENNIS MORGAN STARTS FRIDAY Directed by JOHN HUSTON Title (as shown) suggests a dramatic Life Magazine-type of display, using the special set of film clip photos available, plus actual dialogue from the script . . . as captions. Fotos and captions, in sequence, show an intensely dramatic scene between Bette Davis and Charles Coburn. Magnifying glass on illustrations shows you one of the ten scenes in the display. Order “TL Leica Photos”—set of 10 stills 5” x 7” (includes captions) — 75c — from Campaign Plan Editor, 321 West 44th Street, New York City. .-for Newspapers: These dramatic stills offer your picture editor a different and unusual picture layout for the Sunday movie section. When ordering stills, please indicate whether it’s for lobby display or newspaper—or both! For newspappers, introductory story will be included with captions. No mats are available. ANIMATED OVERHEAD—OUT FRONT Cut-outs from the six-sheet (see page 20) can be arranged on your overhead display with a movy ! ing belt carrying daggers and interpolated copy as shown on illustration below! Pick up addi tional copy for “moving sign” from ads, if required. P.S. All posters carry ideal cut-out material for use in lobby and theatrefront. Look ’em over! Bette Davis Olivia de Havilland George Brent Dennis Morgan PICTURE-OFTHE-WEEK An This Our life’ A Warner Bros.-First National Picture directed by John Huston. Screen play by Howard Koch based upon the novel by Ellen Glasgow. Music by Max Steiner. CAST OF PRINCIPAL CHARACTERS ~ The Story of the Photoplay as Serialized by HARRY LEE CHAPTER I j SA TIMBERLAKE liked to saunter along the sl& streets of his home town smoking his pipe and pc, dering on his past years and what he had made of thera he was a failure. Hadn’t his partnership with| —= = = her weathy brother, William “Such as?” Fitzroy, ended with his total “Our children ... their fuloss of his share of the tobacco} tures . . . Stanley’s marfactory? Wasn’t the ancient] riage... .’ white pillars and magnolias,| riage?” even now in the hands of the “Lavinia, I’ve a feeling ... tions of Brother William? If] ing that everything isn’t as it Asa had been a different sort | should be.!” . of an individual he might have “No one’s making her marry been bitter about it all. Craig... It’s her own choice!” “She doesn’t know her own When he thought of his two : mind.” ‘grown daughters, Roy and Stanley, he smiled to himself. They were the bright side of the picture. Life appeared to be mak|_ Of Bsc Pp UVES ‘ing up to the girls all they had bell... itll be William and juinaaa hu thain fothar'c strange | Charlotte... hurry down and IN THIS OUR LIFE eae CI ANT TTT oe NOR a Stanley Timberlake. ,....BETTE DAVIS Peter Kingsmill.. DENNIS MORGANS Roy Timberlake William Fitzroy Charles Coburg OLIVIA de HAVILLAND = Asa Timberlake Frank Crave Craig «Fleming GEORGE BRENT Lavinia Timberlake... Billie Burg Even without the continued nagging of his hypochon-¥ driac wife, Lavinia, he would have been keenly aware that “ Timberlake mansion, with its “What about Stanley’s marHe wreckers through the machina| nothing definite ... just a feel| Vise “That’s nonsense, Asa, She j ‘ knows her own mind better than j any of us! But there’s the door; é SISTER AGAINST SISTER... THAT’S YOUR ANGLE! Hit it with these lobby and bally ideas: Huge compo board diary in lobby with “The Personal Affairs of Women of the World” on cover and blow-up of ad 401 on page 8 inside; cover rigged to open and close slowly. Inquiring Reporter in lobby asks: “Would you forgive another woman for stealing your husband—if that other woman was your sister?” Tickets for best answers. 3 BIG FICTION FEATURES... . .. to excite mass public interest in your showing! Here they are ... for every type newspaper in every size city: 1. 10,000-WORD SERIAL —character art and captioned stills— to be run as a day-to-day story or as a full length Sunday fiction feature. (No mats). 17 stills included for illustration. Order “TL Serialization Stills’’— set of 17 — $1.40 — from Campaign Plan Editor, 321 West 44th Street, N.Y.C. 2. MOVIE PREVIEW —5"'x 7” candid camera action stills in sequence, supplied with captions and foreword ... for picture pages, rotos and Sunday magazine sections. (No mats). Order “TL Movie Preview Stills’’—set of 18 stills—$1.00—from Campaign Plan Editor, 321 West 44th Street, N.Y.C. 3. 6-DAY SERIAL —in mat form, fully described below. 21 pette Dave ° One de ered? STARTS eorge rent « Vennis Viorgan TOD AY Directed by JOHN HUSTON