Kiss Me Again (Warner Bros.) (1931)

© On This Page:-A Fine Feature For The : Editor Of Any Newspaper’s Woman Page! VICTORY Main & 3rd Dayton’s Intimate eatre Tomorrow Is The Day! Tomorrow You’ll meet her —and love her. Fifi, playgirl of Paris—a _ song in her heart, a smile on her face and a wink for every millionaire on the boulevard. She’s brought along a_hundred new fashions that even Pairis hasn’t seen yet. Don’t Miss Her Show! Don’t Miss Her Story! with BERNICE CLAIRE, WALTER PIDGEON, Edward Everett and Horton, Jane Collyer Frank McHugh Music by VICTOR HERBERT. Book and lyrics by Henry Blossom. A William A. Seiter production Photographed by Technicolor process. 290 Lines ISS ME} AGAIN 7 you love romance that is genuinely beautiful —and the inspiring music that made Victor Herbert's name immortal — if you like clean, wholesome comedy and, in a word— better entertainment— “Kiss Me Again" will give you your biggest theatrical enjoyment! Cut No. 3 Cut goc Mat roc Horton Roles Varied Edward Everett Horton, who plays a featured part in “Kiss Me Again” now at the Theatre, has taken a wider variety of roles than almost any other leading man on the stage or sereen. His parts vary from serious to high comedy, and from straight leading roles to character parts. _He played in stock in Los Angeles before entering pictures. One of his most famous parts was that of the butler, “Ruggles,” in “Ruggles of Red Gap,” Walter Pidgeon Ex-Soldier ' (Current Story) Walter Pidgeon is the beau-ideal soldier type of the films, and he has been seen in uniform many times lately. At the Theatre we find him in the current attraction, First National’s “Kiss Me Again,” an all-Technicolor dramatic version of Victor Herbert’s romance, with Bernice Claire, Edward Everett Horton and other favorites. KISS ME Cut No, 17 Cut goc Mat roc AGAIN with 54 Lines HOLLYWOOD FASHIONS Hollywood, at grips with Paris, is playing it strump card by designing its gorgeous gowns strictly for the average American woman, and within reach of the average pocketbook. Edward Stevenson, creator of film fashions is the designer of these gowns, which are shown in a lavish fashion show in “Kiss Me Again” now at the Theatre. The beautiful mannequins exhibit the gowns entirely in Tech nicolor, so that material and colors may be observed. These clothes are the smartest thing for the coming season, and all of them may be made from $15 to $60, including the cost of dressmaking, and these figures may be reduced if various materials are substituted. Following is a description of the wardrobe, which may be seen on the screen at the: Theatre. EVENING GOWNS 1—A green crepe evening dress, worn with a shawl of green velvet, bordered with a deep silk fringe. 2.—A red taffeta ensemble, with very deep cuffs of beige fox. It features the shorter length of evening wrap which is drawn tight around the hips. 3.—A gown of peach velvet with sequin and gold lace trimming. The feature is a cireular peplum of sequin and gold cloth around the hips. It has two very long streamers from each shoulder. 4—-The use of metal printed taffeta is featured in another evening gown. The taffeta has a metal thread in it. The waist line is high, and there is a very low fulness of skirt, which begins right around the knees. SMART PAJAMAS TYPES. 1—A satin and chiffon pajama set, with fullness inset in each pajama pant, giving the effect of a trail on one side, the same being true of the sleeves. There is a band of ermine around the neck line and elbows. Beeause of this type is highly popular for informal dinners. Smart pajamas are now correct for any time up to tea. 2—An informal lounging type of pajama, with green satin blouse and pants, aud with a green velvet coat being used here, the coat shading from light to dark green. Orange crepe is set on the blouse. Straight lines are featured. 3—A set of lounging pajamas of dressier type. The pants are red satin and the blouse is yellow, with a printed chiffon coat trimmed with marabou, giving a soft feathery effect. 4—Dressy pajamas which can also be used for informal dinner purposes. They are of blue velvet with a lace blouse. The jacket is very short bolero type of blue velvet and is sleeveless. The blouse has lace sleeves. STREET AND AFTERNOON DRESSES 1—A grey crepe jacket suit, with a lighter grey crepe blouse. It has a cireular inset on each side of the skirt. This is the type of suit that would be worn in the morning on the street. The neck has blue binding to give a touch of color, A grey felt hat trimmed with a lighter shade is worn. 2—Printed velvet is used in a luncheon frock, bordered at the hemline and wrist with orange net, the predominating colors in the print being orange and beige. The orange felt hat is trimmed with brown. A large bow of velvet edged with tulle is placed at the hip line. 3—-A more formal afternoon gown, It is green chiffon, with a soft cape neckline, and features a bow at the neckline and one worn at the hip, of chiffon. A very smart green net afternoon hat is worn. The cireular skirt is full and of uneven length. 4—-An afternoon tea frock of lace and a wine colored velvet jacket which has a low circular peplum around the hip and is tied in a bow knot around the neck. The sleeves are short with tight lace coming down over the hands. The skirt is of lace and trails on the floor. SPORT COSTUMES 1—Very smart beach pants of red and. blue print, cut very full. The plain blouse is tied with a large bow at the back of the neck. The waistline is high, of overall effect, coming to a high point in front, and featuring a sun back. 2—Smart riding habit with beige jodphur pants with darker brown coat and a brown felt riding hat. A light beige blouse with an orange tie is worn. 3—A smart skiing and general winter outfit, the knitted wear is of various bright stripes. 4—-A very snappy tennis costume of red crepe with pleated skirt split at one side to show a glimpse of the tennis shorts. The feature of this costume is that the skirt is detachable, so that the shorts can be used while actually playing tennis, The headscarf is of red and black, repeating the trimming of the dress, which is black edged with a tiny line of white. In actual playing an eyeshade usually replaces the scarf, = These gorgeous creations appear and may be seen in “Kiss Me Again” the First National, Vitaphone, all-Technicolor production of Victor Herbert’s romance now showing at the Theatre. William A. Seiter directed. PEOPLE AND PLOT BALANCE IN FILM (Current Story) Although First National’s “Kiss Me Again,” at the Theatre, is founded on a famous Vic-| vor Herbert musical hit, it has a strong dramatic plot and an appealing love story laid in gay Paree. Bernice Claire, Edward Everett Hor Here’s a romance that starts and ends with a kiss— but in-between — You'll be surprised! with BERNICE CLAIRE ~ WALTER PIDGEON Edw. Everett HORTON RIALTON Cut No. 9 Cut 20c Mat 5c 93 Lines ton, Walter Pidgeon and others make new triumphs in the produc-’ tion. * CATCHLINES Romance of Paris—Glittering—Y outhful—Sensational ! “Kiss Me Again’’—a Champagne Cocktail of Efferves cent Delight. An Army Loved Fifi—but How! She Loved but One—and Frothy, Funny, Flippant, Frenchy—‘‘Kiss Me Again’’! ‘Kiss Me Again’ '—Frills—Folderols—Femininity ! Gorgeous Girls —Gorgeous Gowns — Gaiety ! Youth — Love — Light as a June Wind—Lovely as a Rose. Tender as April Rain—Gay as a Hurdy-Gurdy! The Heart of Every Woman Says ‘‘Kiss Me Again.”’ As Radiant as Young Love—as Sparkling as Champagne. “‘Kiss Me Again’ '—Kisterious—Delirious—Ou, La La La! A FIRST NATIONAL & VITAPHONE PICTURE Cut No. 10 Cut go¢ Mat roc lt MUST Be Good! when the whole town says