Sunny (Warner Bros.) (1930)

; Everything bride, she’ Il frolicking GAY WIDOW grow cold HOT WIDOW See lfor a full week, Come Early The Crowds Kicks Out of Role Marilyn Miller, clad in some old overalls, does some excellent clowning and pantomime comedy in “Sunae OW OAL the Theatre. She even gets a swift kick si a stevedore, and takes it with grace! Many stars would have d for a double. A) oi BE, LPs est \ Pees SUNNY Now! Because Marilyn Miller is back with a bigger, better, brighter show than “Sally”! If she doesn’t steal your heart as an unblushing positively ravish you as a rollicking YOUNG WIDOW A care-free — free-loving A naughty but nice — Plenty of spice — never “Sunny”! Be Sunny! She'll be here 3 and Avoid STRAND Cut No. 26 Cut goc Mat toc Is ee 600 Lines Fan Mail Lead Marilyn Miller is reported to get more fan mail than any other stage star. It keeps the postman busy forwarding her mail because she so frequently commutes between New York and Hollywood. She is now Bppearing “at ‘the = n03 72-55 Theatre in the Vitaphone version of her famous stage success, “Sunny.” \\ 56 Lines “MARILYN VeULLET . SUNNY LAWRENCE GRAY — JOE DONAHUE O. P. Heggie — Inez Courtney A FIRST NATIONAL & VITAPHONE PICTURE ee we ? R h Cut No. 20 Cut 80c Mat 20c Serre Pg a SUNNY By W. W. Hood She wasn’t so green—this grass widow knew That loving was art—plus a thing or two Each man had told her, his love was true And now she knew how green grass grew. Off with the old love—on with the new! One husband’s too many—ten lovers too few. Lips thirsted for kisses, as grass for the dew While the green grassy grass it grew and grew. Men tell this Widow—“There’s a nest for two In a green grassy meadow, we’ll love and coo I’m off all the others—just me and you”’ And that she knew was green grass too. She’s green no longer, but a grass widow gay, Making hey-hey while the moon shines, love while she may nie Never forgetting youth fast fades away. And fires grow cold, grass becomes hay. ——————— eeeeeseeeeSFSeSeseSsSsSsSsSh Which? Distinct Picture Gives Proper Back g Sn nna : , ' ' Half Ton First Nation al rei and supplies beth st are wise, you’ Il use movie page is c ramm —and half tones if y line cuts. Tak ¢ you press sheet. Th ey at oo — “SUNNY,” MARIL' YN I NEW PICTI JRE, LAUR ELS eed alents in Sing in JOE DONAHUE SEEN AS 5 Others in Supporting C Delight Enthusia sti — -—— (Prepared Revie W, story above the ca : with soe Lea erent im its comedy and Marilyn Miller, ‘‘Sunny,’’ the I version of the stage play, openec Theatre. -2f8-> there seems to be but little a From the lines of Ma _ sss eater suecess than “Sunny‘’’ is something dis‘ no conventional lines. Taken success, which ran for thscreen is essentially a e personality of Miss Miller, the bareback rider in a little ereu at Southampton is loved by all, bu loves Tom—Lawrence Gray—whor she had met in past years. He is i society and is just sailing fror Southampton with his fiancee. The story then moves On, in = delightful manner that is half seri ous and half-tomfoolery, to a trans atlantic liner. “Sunny” smuggle herself aboard by mistake. One o: the highly entertaining sequences ii the dock scene, where Miss Mille: is in overalls and is mistaken for % stevedore. It is a fine bit of clown ing, and proves the star to be ¢ comedienne of the first water. The picture introduces to the pub. lic a new screen name, that of Joe Donahue, brother of the famous Jack. Joe is as Irish as his name implies. He, of course, goes to America on the same liner as does O. P. Heggie, “Sunny’s” rasza” father and manager of the Joe marries Marilyn just ti. her and to help her get in :@ United States. Joe is a splendid dancer, and makes a very able partner for Miss Miller in a couple of tap dances and an adagio. “Sunny” is unusual in that, although there are~ several dances, there is no chorus. There are several songs, including the famous “Who.” One of the most amusing Warner Bros. — METROPOLITAN Cut No. 24 Cut 56 Li