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®@ ADVERTISING
MOTION PICTURE DAILY | “* ‘OuPOorTE Proros
composite photos used in the ads. They are
available in 8” x 10” still form at 10c each. 6 and 5 respectively are also composite photos
and available in still form, as Still IU 405 and IU 406. Order by still number from:
with the first flash on what WARNER BROS. STILL DEPARTMENT
321 WEST 44th STREET NEW YORK CITY
you can expect from....
"The Irish In Us”
Houtywoop, July 10.—Here is one to raise the roof with audience mirth. Comedy and sentimentality mingle for a wild Trish hit.
Mary Gordon scores as the waddling, sweet, peppery mother of Pat O’Brien, James Cagney and Frank McHugh. Pat, a cop, falls in love with the police chief’s daughter (Olivia de Havilland) and makes the mistake of boasting he is thinking of marrying her.
Cagney, hopefully trying to become a fight manager, falls for Olivia also. The brotherly battle is finished after Cagney takes a terrific beating as a substitute for his punch-drunk fighter in a match with the middleweight champion. Allen Jenkins draws howls as a dim-wit fighter who starts to slug every time he hears the bell.
McHugh, a fireman, causes three tidal waves of laughter. Cagney, in a smaller part than usual, turns in a sincere performance, as does O’Brien. Miss de Havilland looks like a coming bet. J. Farrell MacDonald, Thomas Jackson and Harvey Perry are excellent in support. The screen play of Earl BaldStill No. TU 401 win, from a story idea by Frank Orsatti, is sure box-office material emphasized for laughter and sentiment by Director Lloyd Bacon.
You can go the limit on this. It should keep ’em howling.
Production. Code Seal No. 1049. Running time, 83 minutes. ““G."?
Still No. TU 402
Still No. IU 404 Still No. TU 403
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