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Mat 201—30c Sara Moutllegseorersnc IE a auc BETTE DAVIS Marthe de Brancovis.iii26 aes Geraldine Fitzgerald Rasy atrellye (30 ented ee eae Lucile Watson Yt gO GLE UDIE late ty REAM tne Mis MEO ORRIN Beulah Bondi Deck de Boancovis.c2 ee George Coulouris Davia Bacrellye ce lee Mae 8 Donald Woods Philt-von’ Ramime ce 2 0 eee anh Henry Daniell (fo an Me nes erage el ce OT A eM ROME RET Donald Buka | Ce Ce IO ae cE kt ode BN RL opt enlace tai EC Eric Roberts
In a spacious house outside of Washington, D. C.,
Fanny Farrelly (Lucile Watson), wealthy society matron, ©
eagerly awaits the arrival from Europe of her daughter, Sara (Bette Davis), Sara’s husband, Kurt (Paul Lukas), a German whom she married in Europe eighteen years ago, and their three children. Also awaiting the arrival are Fanny’s son, David (Donald Woods) and her two house guests, Count Teck de Brancovis (George Coulouris), a penurious Roumanian nobleman and his pretty American wife, Marthe (Geraldine Fitzgerald).
As the story unfolds, the mystery of the sick and weary Kurt deepens and Count de Brancovis displays considerable curiosity. One evening he steals into Kurt’s room and
A Hal B. Wallis Production; directed by Herman Shumlin; screen play by Dashiell Hammett; additional scenes and dialogue by Lillian Hellman; from the stage play by Lillian Hellman; directors of photography, Merritt Gerstad, A.S.C., and Hal Mohr, A.S.C.; film editor, Rudi Fehr; art director, Carl Jules Weyl; sound by Dolph Thomas; dialogue director, Edward Blatt; set decorations
Mat 208—30¢
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finds evidence which he believes involves Kurt in the antiNazi underground movement. Planning to use this knowledge to obtain money for himself, he goes to the German Embassy and attempts to make a deal for the betrayal of Kurt. Later he attempts another deal with Kurt and the Farrellys, promising to keep Kurt’s secret for the sum of $10,000. Kurt, suspicious of the double-dealing Count, forces him into the garage and shoots him. The Farrellys, in their understanding of the circumstances, give Kurt time in which to get away. The close of the story sees him returning to Europe to carry on his work against Fascism. (Running Time: 114 Minutes )
by Julia Heron; gowns by Orry-Kelly; make-up artist, Perc Westmore; special effects by Jack Holden, director, and Edwin B. DuPar, A.S.C.; music by Max Steiner; orchestral arrangements by Hugo Friedhofer; musical director, Leo F. Forbstein; assistant director, Dick May
berry; unit manager, Chuck Hansen.
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