Start Over

Principles of cinematography : a handbook of motion picture technology (1953)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

GENERAL PRINCIPLES 39 Figure 9 actually exists in positive film 'married' prints, but two quite separate films are used on which to record the negatives, one being required in the picture camera and the other in the sound recording equipment. It should also be noted, purely for accuracy, that in normal studio daily work the picture and sound positive prints are not combined at this early stage although, for special purposes, it is possible so to do (we have shown them as combined purely to give you a quick idea of the general method of obtaining the type of film used in your local cinema). The studio 'daily rushes' are sent from the laboratory as separate picture positives and separate sound positives the studios have special projectors in which the two films may be threaded up in synchronism and so, in fact, the combined effect is only seen at that stage because of this special apparatus. Referring again to Figure 8, the positive film will be complete on leaving the sound printer, that is to say, it will contain both the picture and sound tracks in their correct relationship on one support. This roll of film is termed a 'married print'. Since positive film usually requires developing in a solution which would be unsuitable for either picture or sound negatives, a third processing machine must often be used for this final operation although, here again, with some techniques, this is not necessary. 5 347 mm Fig. 9. — Picture and sound in "married" print.