The Private Life of Greta Garbo (1931)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

23 THE PRIVATE LIFE OF GRETA GARBO hour in making up her face: quite a different process from the method used for the stage. Then she was sent to a set where Mauritz Stiller was waiting for her. After looking her over he abruptly pointed to a bed and ordered, “Lie down and be sick.” She lay down on the bed, but it seemed so silly to her she couldn’t for the life of her pretend that she was sick. Suddenly Mr. Stiller stood over her. “For God’s sake, don’t you know what it is to be sick?” he asked. Greta realized that this was a serious business. Although very confused and self-conscious she tried her best to imagine that she was desperately ill. After that was over she waited for something else. But that was all. Mr. Stiller told her she could go home. A few days later she received word that she had been chosen to play the part of Countess Elizabeth Dohna, in Gosta Berling’s Saga. She learned that her friend Mona Mortenson had been chosen for another part in the same picture.