Production design (Oct 1951-Aug 1952)

Page scan 0006 from Production design

Record Details:

Title:
Production design
Date:
Oct 1951-Aug 1952
Publisher:
Beverly Hills : Society of Motion Picture Art Directors
Volume:
Production design (Oct 1951-Aug 1952)
Leaf #:
0006
Language:
English
Collection:
Hollywood Studio System and Technical Journals
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
July 04, 2024
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The introduction of Leslie Caron was by a series of stylized scenes of French Baroque, Louis XVI, Jacobean, Victorian, Modern, and Biedermeier, each painted in a single color to complement the color of the costume. The first was seen in a dissolve through a mirror frame. The end was a composite shot seeing five scenes at the same time, which meant weeks of work for the special camera effects department under Irving Ries. Oscar Levant dreamt he gave a concert, the Gershwin "Concerto in F", where he was soloist, conductor, and all the musicians at once, an effect again achieved by interesting lighting and fog effect plus multiple printing by Irving Ries. Page 8