Production design (Oct 1951-Aug 1952)

Page scan 00040 from Production design

Record Details:

Title:
Production design
Date:
Oct 1951-Aug 1952
Publisher:
Beverly Hills : Society of Motion Picture Art Directors
Volume:
Production design (Oct 1951-Aug 1952)
Leaf #:
00040
Language:
English
Collection:
Technical Journals and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
July 04, 2024
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Norman Rockwell and Melvin K. Archer 9L MAKi-UP STORY ty M£L ARCHER , DtSigner-lllusirAtor In the production of a successful Motion Picture, few, if any, studio artists find themselves in closer personal contact with the Film Player, than the Make-up Artist. The artistry of the Make-up Artist, and the ramifications of his painstaking skills, present volume-filling complexity which is hardly apparent upon the surface of a thin layer of grease paint. So it is also, with the Make-up Designer-Illustrator, whose work must be co-ordinated with that of the Make-up Artist. The Make-Up Designer-Illustrator is primarily concerned with the fact that his conceptions of a make-up characterization may be readily reproduced by the Make-up Artist upon the facial contours of the Film Player. Page 14