We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
PRODUCTIONS 1950
481
Sidney Cutner. Musical director-score, Victor Young. Edited by Sherman Todd. Sound teclinician, Fred Lau. ProducMon manager, Raoul Page). Assistant director, Ed Garvin. Script supervisor, Jerry Bryan. Hair stylist, Marie Clarl<. Makeup, Blague Stephanoff. Crip, Ralph Hoge. Costumes designed by Mary Wills. Caffer, Vic Jones. Stillman, John Miehle.
CAST — Ann BIyth, Farley Cranger, Joan Evans, Jane V/yatt, Ann Dvorak, Natalie Wood, Cus Schilling, Phyllis Kirk, Jessie Grayson, Martin Milner, Rita Hamilton, Ray Teal.
Reviewed 3-20-50.
OUTCAST OF BLACK MESA
COL. Producer, Colbert Clark. Director, Ray Nazarro. Screenplay, Barry Shipman. Original, Elmer Clifton. Photography, Fayte Browne. Operating cameraman, Irving Klein. Art direction, Charles Clague. Set decorations, Sidney Clifford. Musical director, Mischa Bakaleinikoff. Edited by Paul Borofsky. Sound technician. Josh Westmoreland. Production manager, Jack Fier. Assistant director, Stan Neufeld. Script supervisor. Pearl Leiter. Hair stylist, Helen Hunt. Makeup, Leonard Engelman. Grip, Don Murphy. Gaffer, Paul Sickler. Stillman, Warner Crosby.
CAST — Charles Starrett, Smiley Burnette, Martha Hyer, Richard Bailey, Stanley Andrews, William Haade, Lane Chandler, William Gould, Bob Wilke, Charles Roberson, Ozie Waters.
Reviewed 5-2-50.
OUTLAW COLD
MONO. Producer, Vincent M. Fennelly. Director, Wallace W. Fox. Original screenplay, Jack Lewis. Photography, Gilbert Warrenton. Art direction, David Milton. Set decorations, Harry Reif. Musical director, Edward Kay. Edited by Fred Maguire. Sound technician, John Kean. Assistant director, Mel Shyer. Script supervisor, Dorothy Wilson.
CAST — Johnny Mack Brown, Jane Adams, Myron Healey, Milburn Morante, Marshall Reed, Hugh Prosper, Carol Henry, Bud Osborne, George DeNormand.
Reviewed 12-18-50.
OUTRAGE
Filmakers-RKO. Producer, Collier Young. Associate producer, Malvin Wald. Assistant to producer, Norman Cook. Director, Ida Lupino. Original screenplay. Collier Young, Malvin Wald, Ida Lupino. Photography, Archie Stout. Operating cameraman, Emmett Burkholtz. Production designer, Harry Horner. Set decorations, Darrell Silvera, Harley Miller. Music score, Paul Sawtell. Musical director, C. Bakaleinikoff. Song, "Didn't You Know," John Franco. Edited by Harvey Manger. Sound technicians, John Cass, Clem Portman. Production supervisor, Norman Cook. Assistant director, James Anderson. Script supervisor, Don Weis. Hair stylist, Josephine Sweeney. Makeup, William Phillips. Crip, Lew Anderson. Gaffer, S. H. Barton. Stillman, Rod Tolmie.
CAST — Mala Powers, Tod Andrews, Robert Clarke, Raymond Bond, Lilian Hamilton, Rita Lupine, Hal Marsh, Kenneth Patterson, Jerry Paris, Angela Clarke, Roy Engel, Lovyss Bradley, Robin Camp, William Challee, Tristram Coffin, Jerry Hausner, Bernie Marcus, Joyce McCluskey, Albert Mellen, John Morgan, Victor Perrin, John Pelleti, Beatrice Warde.
Reviewed 8-23-50.
THE OUTRIDERS
MCM (Technicolor). Producer, Richard Goldstone. Director, Roy Rowland. Original screenplay, Irving Ravetch. Photography, Charles Schoenbaum. Special effects, A. Arnold Gillespie, Warren Newcombe. Technicolor consultants, Henri Jaffa, James Gooch. Operating cameraman, Herbert Fischer. Art direction, Cedric Gibbons, Preston Ames. Set decorations, Edwin B. Willis, Ralph S. Hurst. Music score, Andre Previn. Edited by Robert J. Kern. Sound, Douglas Shearer, Standish J. Lambert. Production manager, Argyle Nelson. Assistant director. Jack Gertsmann. Script supervisor, Don McDougall. Hair stylist, Sydney Guilaroff. Makeup, Jack Dawn. Grip, Jack Franzer. Costumes designed by Walter Plunkett. Stillman, Emmett Schoenbaum.
CAST — Joel McCrea, Arlene Dahl, Barry Sullivan, Claude Jarman, Jr., James Whitmore, Ramon Novarro, Jeff Corey, Ted de Corsia, Martin Carralaga.
Reviewed 3-6-50.
OUTSIDE THE WALL
Ul. Producer, Aaron Rosenberg. Director-screenplay, Crane Wilbur. Original, Henry Edward Helseth. Photography, Irving Glassberg. Special effects, David S. Horsley. Operating cameraman, K. Meade. Art direction, Bernard Herzbrun, Richard H. Riedel. Set decorations, Russell A. Causman, Oliver Emert. Musical director, Milton Schwarzwald. Edited by Edward Curtiss. Sound, Leslie 1. Carey, Robert Pritchard. Production manager, E. Dodds. Assistant director, Bill Holland. Script supervisor, Patti Betz. Hairstylist, Joan St. Oegger. Makeup, Bud Westmore. Crip,
E. Brown. Costumes designed by Rosemary Odell. Gaffer, N. Kurland. Stillman, B. Thomas.
CAST — Richard Basehart, Marilyn Maxwell, Signe Hasso, Dorothy Hart, Joseph Pevney, Lloyd Cough, John Hoyt, Henry Morgan, Mickey Knox.
Reviewed 2-1 -50.
PAGAN LOVE SONG
MCM (Technicolor) Producer, Arthur Freed. Assosociate producer, Ben Feiner, Jr. Director, Robert Alton. Screenplay, Robert Nathan, Jerry Davis. Original book, "Tahiti Landfall," William S. Stone. Photography, Charles Rosher. Technicolor consultants, Henri Jaffa, James Gooch. Special effects, A. Arnold Gillespie, Warren Newcombe. Operating cameraman, John Nicholaus, Jr. Art direction, Cedric Gibbons, Randall Duell. Set decorations, Edwin B. Willis, Jack D. Moore. Music score, Harry Warren. Orchestrations, Conrad Salinger. Musical director, Adolph Deutsch. Vocal arrangements, Robert Tucker. Songs, Harren Warren, Arthur Freed. Edited by Adrienne Fazan. Sound, Douglas Shearer, Norwood Fenton. Production manager, Eddie Woehler. Assistant director, Al Jennings. Script supervisor, Lee Martinson. Hair stylists, Sydney Guilaroff, Lorraine Roberson. Makeup, William Tuttle, Ed Polo. Costumes designed by Helen Rose. Grip, Harold Constable. Gaffer, M. G. Cline. Stillman, Eric Carpenter.
CAST — Esther Williams, Howard Keel, Minna Gombell, Charles Mauu, Rita Moreno.
Reviewed 12-20-50.
THE PALOMINO
COL. (Technicolor). Producer, Robert Cohn. Director, Ray Nazarro. Original screenplay, Tom Kilpatrick. Photography, Vincent Farrar. Technicolor consultant, Morgan Padelford. Operating cameraman, Jim Goss. Art direction. Perry Smith. Set decorations, James Crowe. Musical directro, Mischa Bakaleinikoff. Edited by Aaron Stell. Sound technician, George Cooper. Production manager, Jack Fier. Assistant director. Carter De Haven, Jr. Script supervisor, Frances McDowell. Hair stylist, Helen Hunt. Makeup, Newt Jones. Crip, Ray Rich. Stillman, Warner Crosby.
CAST — Jerome Courtland, Beverly Tyler, Joseph Calleia, Roy Roberts, Cordon Jones, Robert Osterloh, Tom Trout, Harry Garcia, Trevor Bardette, Juan Duval.
Reviewed 2-2-50.
PANIC IN THE STREETS
201-h-FOX. Producer, Sol C. Siegel. Director, Elia Kazan. Screenplay, Richard Murphy. Original story, Edna and Edward Anhalt. Adaptation, Daniel Fuchs. Photography, Joe MacDonald. Special effects, Fred Sersen. Operating cameraman, Till Gabbani. Art direction, Lyie Wheeler, Maurice Ransford. Set decorations, Thomas Little, Fred J. Rode. Orchestrations, Edward Powell, Herbert Spencer. Musical directorscore, Alfred Newman. Edited by Harmon Jones. Sound technicians, W. D. Flick, Roger Heman. Production manager, Joseph Behm. Assistant director,
F. E. Johnston. Script supervisor, Stanley Scheuer. Makeup, Ben Nye. Costumes designed by Travilla.
CAST — Richard Widmark, Paul Douglas, Barbara Bel Ceddes, Walter Palance, Zero Mostel, Dan Riss, Alexis Minotis, Guy Thomajan, Tommy Cook, Edward Kennedy, H. T. Tsiang, Lewis Charles, Ray Muller, Tommy Rettig, Lenka Peterson, Pat Walshe, Paul Hostetler, George Ehmig, John Schilleci, Waldo Pitkin, Leo Zinser, Beverly C. Brown, William A. Dean, H. Waller Fowler, Jr.. Rex Moad, Irving Vidacovich, Val Winter, Wilson Bourg, Jr., Mary Liswood. Aline Stevens, Stanley J. Reyes, Darwin Greenfield, Emile Meyer, Herman Cottman, Al Theriot, Juan Villasana, Robert Dorsen, Henry Mamet, Tiger Joe Marsh, Arthur Tong.
Reviewed 6-14-50.