Motion picture production encyclopedia (1952)

482 PRODUCTIONS 1950 PECCY Ul (Technicolor). Producer, Ralph Dietrich. Director, Fredericl< de Cordova. Screenplay, George F. Slavin, George W. George. Original story, Leon Ware. Photography, Russell Metty. Technicolor consultant, Morgan Padelford. Operating cameraman, Phil Lathrop. Art direction, Bernard Herzbrun, Richard H. Riedel. Set decorations, Russell A. Gausman, Ruby R. Levitt. Musical director, Joseph Cershenson. Edited by Ralph Dawson. Sound, Leslie 1. Carey, joe Lapis. Production manager, Edward Dodds. Assistant director, John Sherwood. Script supervisor, Adele Cannon. Hair stylists, Joan St. Oegger, Ruby Felker. Makeup, Bud Westmore, Jack Kevan, Nicki Marcellino. Grip, Dean Paup. Costumes designed by Rosemary Odell. Gaffer, Max Nippel. Stillman, Ed Estabrook. CAST — Diana Lynn, Charles Coburn, Charlotte Greenwood, Barbara Lawrence, Charles Drake, Rock Hudson, Connie Gilchrist, Griff Barnett, James Todd, Jerome Cowan, Charles Trowbridge, Ellen Corby, Donna Martell, Ann Pearce, James Best, Lucille Barkley. Reviewed 6-14-50. PERFECT STRANGERS WB. Producer, Jerry Wald. Director, Bretaigne Windust. Screenplay, Edith Oppenheimer. Original play, "Ladies and Gentlemen," Charles MacArthur, Ben Hecht from a drama by L. Bush-Fekete. Adaptation, George Oppenheimer. Photography, Peverell Marley. Operating cameraman, Ray Ramsey. Art direction, Stanley Fleischer. Music score, Leigh Harline. Edited by David Weisbart. Sound technician, Al Riggs. Production manager, Eric Stacey. Assistant director, Chuck Hansen. Script supervisor, Howard Hohler. Hair stylist, Gertrude Wheeler. Makeup, Eddie Allen. Grip, Warren Yaple. Gaffer, Frank Flanagan. S''illman, Mac Julian. CAST — Ginger Rogers, Dennis Morgan, Thelma Ritter, Margalo Gillmore, Anthony Ross, Howard Freeman, Alan Reed, Paul Ford, Harry Bellaver, George Chandler, Frank Conlin, Charles Meredith, Frances Charles, Marjorie Bennett, Paul McVey, Edith Evanson, Whit Bissell, Sumner Getchell. Reviewed 2-28-50. THE PETTY GIRL COL. (Technicolor). Producer-screenplay, Nat Perrin. Direc'-or, Henry Levin. Original, Mary McCarthy. Photography, William Snyder. Technicolor consultant, Francis Cugat. Operating cameraman, Lothrop Worth. Art direction, Walter Holscher. Set decorations, William Kiernan. Orchestrations, George Duning. Musical director, Morris Stoloff. Songs, Harold Arlen, John Mercer. Edited by Al Clark. Sound technician, Frank Goodwin. Production manager. Jack Fier. Assistant director, Charles Gould. Script supervisor, Dorothy Cummings. Hair stylist, Helen Hunt. Makeup, Clay Campbell. Dance director, Eugene Loring. Costumes designed by Jean Louis. (Grip, Walter Meins. Gaffer, George Hager. Stillman, Irving Lippman. CAST — Robert Cummings, Joan (Zaulfield, Elsa Lanchester, Melville Cooper, Audrey Long, Mary Wickes, Frank Orth, John Ridgely, Raymond Largay, Ian Wolfe, Frank Jenks, Tim Ryan, Mabel Paige, Kathleen Howard, Sarah Edwards, Everett Glass, Douglas Wood, Edward Clark, Philip van Zandt. Reviewed 8-18-50. PIONEER MARSHAL REP. Associate producer, Melville Tucker. Director, Philip Ford. Original screenplay. Bob Williams. Photography, John MacBurnie. Operating cameraman, Enzo Martinelli. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Edited by Robert M. Leeds. Sound technician, T. A. Carman. Assistant director, Herb Mendelson. Script supervisor, Joan Eremin. Makeup, Howard Smit. Crip, John Vusich. Gaffer, Babe Stafford. Stillman, Frank Bjerring. CAST — Monte Hale, Paul Hurst, Nan Leslie, Roy Barcroft, Damian O'Flynn, Myron Healey, Ray Walker, John Hamilton, Clarence Straight, Robert Williams. Reviewed 1-5-50. PLEASE BELIEVE ME MCM. Producer, Val Lewton. Director, Norman Taurog. Original screenplay, Nathaniel Curtis. Photography, Robert Planck. Operating cameraman, Harkness Smith. Art direction, Cedric Gibbons, Daniel B. Cathcart. Set decorations, Edwin B. Willis, Keogh Gleason. Music score, Hans Salter, Bronislau Kaper. Edited by Ferris Webster. Sound, Douglas Shearer, Joe Edmondson. Production manager, Sergei Pe'schnikoff. Assistant director, Sid Sidman. Script supervisor, Bill Hole. Hair stylist, Sydney Guilaroff. Makeup, Jack Dawn. Grip, Tom Long. Costumes designed by Irene. Stillman, Otto Dyar. CAST — Deborah Kerr, Robert Walker, Mark Stevens, Peter Lawford, James Whitmore, J. Carrol Naish, Spring Byington, Carol Savage, Drue Mallory, George Cleveland, Ian Wolfe, Bridget Carr, Henri Letondal, Gaby Andre, Leon Belasco. Reviewed 3-9-50. PRETTY BABY WB. Producer, Harry Kurnitz. Director. Bretaigne Windust. Screenplay, Everett Freeman, Harry Kurnitz. Original, Jules Furthman, John Klorer. Photography, Peverell Marley. Special effects, H. F. Koenekamp. Operating cameraman, Mike Joyce. Art direction, Charles H. Clark. Set decorations, William Kuehl. Orchestrations, Maurice de Packh. Musical director-score, David Buttolph. Edited by Folmar Blangsted. Sound technician, Everett A. Brown. Assistant director, Phil Quinn. Script supervisor, Irva Mae Ross. Hair stylist, Gertrude Wheeler. Makeup, Perc Westmore, Al Greenway. Costumes designed by Milo Anderson. Crip, Dudy Masheyer. Gaffer, Lee Wilson. Stillman, Bud Graybill. CAST — Dennis Morgan, Betsy Drake, Zachary Scott, Edmund Cwenn, William Frawley, Raymond Roe, Ransom Sherman, Sheila Stephens, Eleanor Audley, George Chandler, Barbara Billingsley. Reviewed 7-25-50. PRISONERS IN PETTICOATS REP. Associate producer, Lou Brock. Director, Philip Ford. Screenplay, Bradbury Foote. Original, Raymond Schrock, George Callahan. Photography, Ellis W. Carter. Operating cameraman, Herk Kirkpatrick. Art direction, Frank Arrigo. Set decorations, John McCarthy, Jr., George Milo. Musical directorscore, Stanley Wilson. Edited by Harold Minter. Sound technician, Dick Tyler. Assistant director, Lee Lukather. Script supervisor, Robert Walker. Hair stylist, Louise Landmeir. Makeup, Dan Greenway. Grip, Benny Gaffer, Hap Hodges. Stillman, Ira Hoke. CAST — Valentine Perkins, Robert Rockwell, Danni Sue Nolan, Anthony Caruso, Tony Barrett, David Wolfe, Alex Gerry, Michael Carr, Queenie Smith, Bert Conway, Rudy Rama, Mario Dwyer, Russ Conway, Marta Mitrovich. Reviewed 9-15-50. PROWL CAR COL. Producer, Hunt Stromberg. Director, Gordon Douglas. Screenplay, Eugene Ling. Original, Gerald D. Adams, Leo Katcher. Photography, George Diskant. Operating cameraman, Jimmy Goss. Art direction, George Brooks. Set decorations, Frank Tuttle. Edited by Gene Havlick. Production manager. Jack Fier. Assistant direc'^or, Jim Nicholson. Script supervisor. Rose Loewinger. Hair stylist, Helen Hunt. Makeup, Gordon Hubbard. Grip, Walter Meins. Gaffer, George Hager. Stillman, Don Christie. CAST — Mark Stevens, Edmond O'Brien, Gale Storm, Donald Buka, Anthony Ross, Gale Robbins. Reviewed 5-26-50. QUICKSAND Stiefel-UA. Executive producer, Sam H. S'iefel. Producer, Mort Briskin. Director, Irving Pichel. Original screenplay, Robert Smith. Photography, Lionel Lindon. Art direction, Emil Newman. Set decorations, Robert Priestley. Music score, Louis Gruenberg. Edited by Walter Thompson. Sound technician, William Lynch. Production managers, Lewis J. Rachmil, Harold Godsoe. Assistant director, Maurie Suess. Hair stylist, Annabelle Levy. Makeup, Mel Berns. CAST — Mickey Rooney, Jeanne Cagney, Barbara Bates, Peter Lorre, Taylor Holmes, Art Smith, Wally Cassel, John Gallaudet, Minerva Urecal, Patsy O'Connor, Richard Lane, Sid Marion, Jimmy Dodd, Alvin Hammer. Reviewed 2-24-50. RADAR SECRET SERVICE LIPPERT. Producer, Barney Sarecky. Director, Sam Newfield. Original screenplay. Beryl Sachs. Photography, Ernest Miller. Operating cameraman, Archie Dalzell. Art direction, Fred Preble. Set decorations, Harry Reif. Music score, Russell Garcia, Dick Hazard. Edited by Carl Pierson. Sound technicians. Earl Sny