Production Encyclopedia 1952 (1952)

490 PRODUCTIONS 1950 THIS SIDE OF THE LAW WB. Producer, Saul Elkins. Director, Richard Bare. Screenplay, Russell Hughes. Original story, Richard Sale. Photography, Carl Guthrie. Art direction, Hugh Reticker. Set decorations, George James Hopkins. Music score, William Lava. Orchestrations, Charles Maxwell. Edited by Frank Magee. Sound technician, Oliver S. Garretson. Production manager, Don Page. Assistant director, Elmer Decker. Makeup, Perc Westmore. CAST — Viveca Lindfors, Kent Smith, Janis Paige, Robert Douglas, John Alvin, Monte Blue, Frances Morris. Reviewed 5-31-50. THREE CAME HOME 20th-FOX. Producer, Nunnally Johnson. Director, Jean Negulesco. Screenplay, Nunnally Johnson. Original novel, Agnes Newton Keith. Photography, Milton Krasner. Special effects, Fred Sersen. Operating cameraman, Paul Lockwood. Art direction, Lyie Wheeler, Leiand Fuller. Set decorations, Thomas Little, Fred J. Rode. Music score, Hugo Friedhofer. Orchestrations, Edward Powell. Musical director, Lionel Newman. Edited by Dorothy Spencer. Sound technicians, E. Clayton Ward, Roger Heman. Production manager, Robert Snody. Assistant direc^'or, Saul Wurtzel. Script supervisor, Stanley Scheuer. Hair stylist, Esperanza Corona. Makeup, Ben Nye. Stillman. Ray Nolan. CAST — Claudette Colbert, Patric Knowles, Florence Desmond, Sessue Hayakawa, Sylvia Andrew, Phyllis Morris, Mark Keuning, Howard Chuman, Drue Mallory, Carol Savage, Virginia Keiley, Mimi Heyworth, Helen Westcott. Reviewed 2-10-50. THREE HUSBANDS Cloria-UA. Producer, I. G. Goldsmith. Associate producer, Anthony Z. Landi. Director, Irving Reis. Screenplay, Vera Caspary, Edward Eliscu. Original, Vera Caspary. Photography, Frank Planer. Production design, Rudolph Sternad. Set decorations, Edward G. Boyle. Music score, Herschel Burke Gilbert. Edited by Louis H. Sackin. Sound technicians, Leon Becker, Mac Dalgleish. Production manager, Ben Hersh. Assistant director, Emmett Emerson. Hair stylist, Hollis Barnes. Makeup, Cus Norin. Costumes designed by Reata Kraft. CAST — Emiyn Williams, Eve Arden, Howard da Silva, Shepperd Strudwick, Ruth Warrick, Vanessa Brown, Robert Karnes, Billie Burke, Jonathan Hale, Jane Darwell, Louise Erickson. Reviewed 1 1-6-50. THREE LITTLE WORDS MCM (Technicolor). Producer, Jack Cummings. Director, Richard Thorpe. Screenplay, George Wells. Original based on lives and music of Bert Kalmar and Harry Ruby. Photography, Harry Jackson. Technicolor consultants, Henri Jaffa, James Gooch. Operating cameraman, Irving Rosenberg. Special effects, Warren Newcombe. Art direction, Cedric Gibbons, Urie McCleary. Set decorations, Edwin B. Willis, Arthur Krams. Orchestrations, Leo Arnaud. Musical director, Andre Previn. Songs, Bert Kalmar, Harry Ruby. Edited by Ben Lewis. Sound, Douglas Shearer, Ralph Pender. Production manager, Lee Katz. Assistant director, Bert Glazer. Script supervisor. Bill Hale. Hair stylists, Sydney Guilaroff, Jane Baldwin. Makeup, Jack Dawn, Eddie Polo. Dance director, Hermes Pan. Costumes designed by Helen Rose. Grip, Ed Donnell. Gaffers, C. A. Philbrick, Bob Worl. Technical advisor, Harry Ruby. Stillman, Otto Dyar. CAST — Fred Astaire, Red Skelton, Vera-Ellen, Arlene Dahl, Keenan Wynn, Gale Robbins, Gloria De Haven, Phil Regan, Harry Shannon, Debbie Reynolds, Paul Harvey, Carleton Carpenter, George Metkovich, The Grea^' Mendoza. Reviewed 7-7-50. THREE SECRETS United Artists Pietures-WB. Producer, Milton Sperling. Director, Robert Wise. Original screenplay, Martin Rackin, Gina Kaus. Photography, Sid Hickox. Special effects, William McGann, Edwin DuPar. Operating cameraman, Mike Joyce. Art direction, Charles H. Clarke. Set decorations, Fred MacLean. Music score, David Buttolph. Orchestrations, Maurice de Packh. Edited by Thomas Reilly. Sound technician, Charles Lang. Assistant director, Russell Saunders. Script supervisor, Jean Baker. Hair stylists, MyrI Stoltz, Betty Lou Delmont. Makeup, Perc Westmore, Eddie Voight, John Wallace. Costumes designed by Leah Rhodes. Crip, Dude Maschmeyer. Gaffer, Paul Burnett. Stillman, Gene Richee. CAST — Eleanor Parker, Patricia Neal, Ruth Roman, Frank Lovejoy, Leif Erickson, Ted de Corsia, Edmon Ryan, Larry Keating, Katherine Warren, Arthur Franz, Duncan Richardson. Reviewed 8-29-50. TIMBER FURY Schwarz-EL. Producer-director, Bernard B. Ray. Associate producer-editor, Norman Cerf. Screenplay, Michael Hansen. Original story, "Retribution," James Oliver Curwood. Adaptation, Sam Neuman, Nat Tanchuck. Photography, Elmer Dyer. Art direction, McClure Davis. Set decorations, Claude Carpenter. Musical director, Ralph Stanley. Songs, "Blue in Love Again," Sam Neuman and Michael Breen; "My Baby and Me," Michael Breen. Sound technician, Frank W. Moran. Assistant directors, Bobby Ray, Eddie Davis. CAST — David Bruce, Laura Lee, Nicia Di Bruno, Sam Flint, George Slocum, Leo Phelps, Gilbert Frye, Paul Hoffman, Spencer Chan, Zoro (dog). Reviewed 9-5-50. THE TITAN Flaherty-UA. Producers, Robert Snyder, Ralph Alswang. Director-film editor, Richard Lyford. Original screenplay, Norman Borisoff. Adaptation from Curt Oertel film, "Michelangelo, Life of a Titan." Photography, Harry Ringger. Art interpretation, Michael Sonnabend. Musical director-score, Alois Melichar. CAST — Documentary story. Reviewed 4-25-50. THE TOAST OF NEW ORLEANS MCM (Technicolor). Producer, Joe Pasternak. Director, Norman Taurog. Original screenplay, Sy Gomberg, George Wells. Photography, William Snyder. Technicolor consultants, Henri Jaffa, James Gooch. Special effects, A. Arnold Gillespie, Warren Newcombe. Operating cameraman, Lathrop Worth. Art direction, Cedric Gibbons, Daniel B. Cathcart. Set decorations, Edwin B. Willis, Richard A. Pefferle. Music score, Nicholas Brodszky. Orchestrations, Conrad Salinger, Robert Franklyn. Musical director, Georgie Stoll. (Operatic numbers) Johnny Green. Songs, "The Toast of New Orleans," "Be My Love," "Tina Lina," "Boom Biddy Boom Boom," "I'll Never Love You," "Bayou Lullaby," Nicholas Brodszky, Sammy Cahn. Edited by Gene Ruggiero. Sound, Douglas Shearer. J. Edmondson. Production manager, Sergei Petschnikoff. Assistant director, Reggie Callow. Script supervisor, Grace DuBray. Hair stylists, Sydney Guilaroff, Jane Garten. Makeup, William J. Tuttle. Dance director, Eugene Loring. Costumes designed by Helen Rose, Walter Plunkett. Grip, Dick Borland. Gaffer, Jimmie James. Stillman, J. Frank Shugrue. CAST — Kathryn Grayson, Mario Lanza, David Niven, J. Carrol Naish, James Mitchell, Richard Hageman, Clinton Sundberg, Sig Arno, Rita Moreno, Romo Vincent. Reviewed 8-24-50. TO PLEASE A LADY MCM. Producer-director, Clarence Brown. Original screenplay, Barre Lyndon, Marge Decker. Photography, Harold Rosson. Special effects, A. Arnold Gillespie, Warren Newcombe. Montage, Pe'er Ballbusch. Operating cameraman, Robert Martin. Art direction, Cedric Gibbons, James Basevi. Set decorations, Edwin B. Willis, Ralph S. Hurst, Jack Bonar. Music score, Bronislau Kaper. Edited by Robert J. Ryan. Sound, Douglas Shearer, C. E. Wallace. Production manager. Jay Marchant. Assistant director, Howard Koch. Script supervisor, John Banse. Hair stylists, Sydney Guilaroff, Helene Parrish. Makeup, William j. Tuttle, Law Lacava. Costumes designed by Helen Rose. Grip, Lloyd Isabell. Gaffer, P. R. Keeler. Stillman, Edward Hubbell. CAST — Clark Gable, Barbara Stanwyck, Adolphe Menjou, Will Geer, Roland Winters, William C. McGraw, Leia Bliss, Emory Parnell, Frank Jenks, Helen Spring. Bill Hickman, Lew Smith, Ted Husing. Reviewed 10-4-50. THE TORCH (Made in Mexico) Cranet-EL. Producer, Bert Granet. Associate producer, Paulette Goddard. Director, Emilio Fernandez. Screenplay. Inigio de Martino Noriega, Emilio Fernandez. Original picture, "The General and the Senorita," Mexican film. Adapta